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Sophia Chenoy

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Finalist

Bio

At twelve years old, I had to stop thinking like a child. When my father was diagnosed with a terminal illness, I became the person who kept our house running. I didn't just help out; I managed the schedules, the stress, and the daily survival of my family. While most kids my age were worrying about middle school, I was learning how to lead a household through a crisis. That experience didn't just change me—it made me capable of handling anything. I carry that same mindset into my work today. I am currently a sophomore at Howard College with a 3.7 GPA. At 19, I am already a Senior Marketing Coordinator at SBM, where I manage projects from start to finish and lead a team of interns. I don’t just show up; I produce results, like growing our customer base by 25% this past year. My interests are broad because my brain doesn't like to stay in one lane. I’m a Visual Art Studies major because I love the process of design, but I am just as comfortable in a lab. I was one of only seven students chosen to shadow R&D at Johnson & Johnson, where I tracked specialized lab work and managed quality control. I also spent my high school years on the tennis team undefeated, which taught me how to keep my head clear and my focus sharp under pressure. If I earn this scholarship, I am going to use the money to pay for my tuition so I can work fewer hours and put more of myself into my degree. This funding would let me be a full-time student for the first time. After I graduate, I want to help other students who are going through family trauma.

Education

Howard College

Associate's degree program
2024 - 2026
  • Majors:
    • Visual and Performing Arts, General

Miscellaneous

  • Desired degree level:

    Bachelor's degree program

  • Graduate schools of interest:

  • Transfer schools of interest:

  • Majors of interest:

    • Visual and Performing Arts, General
    • Animal Sciences
  • Not planning to go to medical school
  • Career

    • Dream career field:

      Arts

    • Dream career goals:

      To service the silent with a voice globally

    • Design brand, logo, banners, billboards, print ads, video, presentations

      SBM
      2016 – Present10 years
    • Design Consultant and Client Specialist

      Gap Inc
      2024 – 20251 year

    Sports

    Tennis

    Intramural
    2010 – 202212 years

    Awards

    • Regional Champion

    Tennis

    Junior Varsity
    2021 – 20221 year

    Awards

    • Regional Champion

    Research

    • Biotechnology

      Johnson & Johnson — Intern Shadow
      2024 – 2024

    Arts

    • Art Students League of Denver

      Visual Arts
      Gold, Best In Grade
      2016 – 2022
    • VASE (Visual Arts Scholastic Event) through Texas Art Education Association (TAEA)

      Visual Arts
      Regional Champion
      2022 – 2024
    • Denver Student Art League

      Visual Arts
      Exhibits
      2016 – 2022

    Public services

    • Volunteering

      Assisted Living Centers — leader and organizer
      2010 – 2022
    • Volunteering

      Children's Hospital — Leader and organizer
      2010 – 2022

    Future Interests

    Advocacy

    Volunteering

    Philanthropy

    Entrepreneurship

    RonranGlee Literary Scholarship
    The Architecture of Oppression Power acts as a mirror that reflects the worst parts of the human soul. When that power goes unchecked, it stops being a tool for leadership and becomes a force for destruction. In Heart of Darkness, Joseph Conrad unveils the darkness of society when responding to oppression. He uses the journey of Charles Marlow to criticize how individuals react when the forces of power oppress members of a collective society. This critique suggests that the "horror" Kurtz finds exists in the heart of every man who believes he stands above the law. Selected Text from Heart of Darkness: "The wilderness had patted him on the head, and, behold, it was like a ball—an ivory ball; it had caressed him, and... it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation". The Consumption of the Soul Conrad uses this passage to show the crude nature of how people are controlled during the post-colonial era. The imagery of the ivory ball proves that the pursuit of wealth eats away at the human mind. By displaying Kurtz's importance, the author demonstrates the danger of following the darkness of temptation. Kurtz becomes a man consumed by his own power. This "devilish initiation" marks the moment he leaves all restraint behind and gives in to the brutal realities of colonialism. This downward spiral shows how oppression hurts both the oppressed and the oppressor. When individuals uphold power above others, they enter a twisted game of power dynamics. The wilderness "consuming his flesh" mirrors the reality of senseless slaughter where humans are treated like meat. Humanity needs the ambition to explore the unknown, but a collective society must not put power above people. Visual Representations of Damnation Francis Bacon’s 1954 painting, Figure with Meat, provides a visual window into this fixed view of damnation. Bacon uses raw imagery to challenge how the reader perceives war. The painting reflects the same "savagery" Marlow feels closing round him. By referencing the history of art and senseless slaughter, Bacon informs the audience that the world is a troubled place. This connection shows that the darkness Kurtz faced is a global reality. Bacon lived through two wars. He used aggrandized realism to show how power ruins the human form. The Echo of Betrayal and the Psyche The Ekphrastic poem further illustrates the contrast between lightness and darkness. It speaks of an "eldritch warble" and "fragmented heartstrings". This evocative melody represents the struggle of a soul that knows no restraint. Like Marlow’s lie to Kurtz’s fiancée, the poem whispers a sweet, hopeful echo of peace conflicted by betrayal . This betrayal of the self is the final step in the "devilish initiation." The poem lifts back into the light at the end, showing a search for peace. Tyranny and the Final Takeaway The animated short Pour Games demonstrates how tyranny requires slaves. The story of the wine glasses shows that people in charge will throw "lesser" individuals at each other regardless of damage. This sadistic game ends when the victims initiate a self-sacrificial protest. This mirrors the fragile human psyche reflecting on the darkness within all of us. To achieve a sustainable society, there must be a balance between power and ambition. True progress fails when individuals allow the darkness of society to seal their souls. We must remember that any system built on the "interest of the stronger" eventually consumes itself. Success is not found in the ivory Kurtz collected, but in the restraint he abandoned. To survive the "horror," we must choose the light of connection over the darkness of control