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Shemia Harper

1,811

Bold Points

1x

Finalist

1x

Winner

Bio

I’m very passionate about music and performing. I’m an upcoming artist, singer, and performer while also pursuing a higher education. My happiest days are when I’m in my studio making music I love and composing ways to express it.

Education

Montclair State University

Bachelor's degree program
2024 - 2027
  • Majors:
    • Music

Essex County College

Associate's degree program
2023 - 2024
  • Majors:
    • Music

Montclair High School

High School
2019 - 2023

Miscellaneous

  • Desired degree level:

    Bachelor's degree program

  • Graduate schools of interest:

  • Transfer schools of interest:

  • Majors of interest:

    • Music
  • Not planning to go to medical school
  • Career

    • Dream career field:

      Music

    • Dream career goals:

      Singer/Producer

    • Daycare Teacher Assisstant

      Children’s Studio
      2020 – 2020
    • Cashier and Manager

      DaVinci’s Brick Oven Pizza
      2021 – 20243 years

    Sports

    Volleyball

    Club
    2019 – 20212 years

    Arts

    • Self Taught

      Music
      2015 – Present

    Future Interests

    Advocacy

    Volunteering

    Entrepreneurship

    Adam Montes Pride Scholarship
    I am a proud LGBTQ+ individual and a first-generation college student with a deep passion for music and storytelling. Growing up as an underrepresented minority, I have faced unique challenges that have both tested my resilience and ignited my determination to pursue higher education. My identity and background have shaped who I am today, and they continue to fuel my ambition to become a recording artist and performer, a voice for those who are often unheard. My journey into the world of music began at a young age. Music became a form of self-expression, a way to process the struggles of navigating both my cultural heritage and my sexual identity in a society that did not always embrace difference. While many nights were filled with uncertainty and isolation, I found solace in the rhythms and melodies that spoke to my soul. I immersed myself in the study of Recording Arts & Production, determined to turn my passion into a career. I believe that through music, I can challenge societal norms and create spaces where diversity is celebrated and every story is valued. One of my proudest accomplishments was interning as an elementary school music teacher assistant. This experience allowed me to see firsthand how music can inspire young minds. It was a powerful reminder of the transformative role education plays in imparting knowledge but also in shaping creative individuals. It is this intersection of music and education that motivates me to give back to my community. I aspire to use my skills to mentor other underrepresented youth, to help them find their voices and overcome the obstacles I once faced. Adam Montes, whose legacy as an LGBTQ+ educator and community advocate continues to inspire many, has had a profound influence on my journey. His dedication to empowering students and fostering inclusivity resonates deeply with me. I see my future not only as an artist but also as an advocate; someone who uses their platform to educate, uplift, and drive positive change. I plan to create music that challenges prejudice and unites people across diverse backgrounds, continuing Adam’s mission of inclusivity and empowerment. Receiving this scholarship would not only alleviate some of the financial burdens associated with pursuing higher education but would also serve as an affirmation of my potential. With this support, I will be better equipped to access the books, technology, and resources necessary to excel in my studies and artistic endeavors. Ultimately, I envision a future where my music becomes a catalyst for change, inspiring a new generation to embrace diversity, pursue their dreams, and create a more interconnected and compassionate world.
    Dounya Irrgang Scholarship for College Reading Materials
    Growing up as a first-generation, low-income student, my journey toward higher education has been a path marked by challenges, resilience, and unwavering determination. I come from a family where financial resources were scarce, yet the value of education was held in the highest regard. My single mother, despite working tirelessly in low-wage jobs, instilled in me the belief that learning could transform my future. Although she was unable to provide the monetary support many of my peers received, her sacrifices and encouragement fueled my passion for knowledge to succeed. Throughout my academic career, I have encountered obstacles that often seemed insurmountable. In elementary school, I eagerly absorbed every book I could get my hands on, even if it meant borrowing outdated textbooks from the library or sharing a single copy with classmates. The absence of modern resources was a constant reminder of our financial limitations, but it also taught me resourcefulness. I learned to maximize every opportunity by seeking out free online courses, community workshops, and public library resources. These experiences not only enhanced my academic skills but also reinforced my belief that determination could overcome material shortages. During high school, I balanced a rigorous academic schedule with part-time work to help support my family. My job provided me with firsthand experience in budgeting and managing time effectively, but it also came with the harsh reality that every dollar counted. Despite these challenges, I remained committed to my studies and became actively involved in extracurricular activities. I volunteered as a mentor for younger students, organized study groups, and participated in community outreach programs. Each of these endeavors enriched my understanding of teamwork and community service. My goal in attending college is not only to fulfill my personal aspirations but also to serve as a beacon of hope for other young women facing similar hardships. I aspire to pursue a degree in Recording Arts & Production with the ultimate aim of becoming a recording artist and performer and then opening my own music school. A college education represents a transformative opportunity, a means to break the cycle of poverty and empower myself to make meaningful contributions to society. This scholarship is more than financial assistance; it is an investment in my potential to change lives. By easing the financial burden of purchasing essential books and other educational resources, it will allow me to focus wholeheartedly on my studies and community involvement. With your support, I will be better equipped to achieve academic excellence, pursue my career goals, and inspire future generations to overcome adversity. Thank you for considering my application and for supporting the dreams of bright, determined young women like me.
    The F.O.O. Scholarship
    Music has always been my refuge. A way to turn struggle into rhythm and adversity into art. Growing up, my family and I faced the uncertainty of eviction more than once, and at times, we even experienced the instability of homelessness. Those challenging moments taught me resilience and sparked a determination to create something beautiful out of hardship. I am currently pursuing a degree in Recording Arts & Production, driven by a passion for music and pop culture. I channel my experiences into every beat and melody I write, using sound to tell stories that reflect real life. The struggles, the victories, and the hope that comes from overcoming obstacles. My work extends beyond the classroom; I also recently became involved in my campus’s Women in Recording, Engineering, and Sound (W.I.R.E.S) club. Our mission is to promote visibility and equal opportunities for women audio engineers, producers, and technicians by seeking events and professional opportunities through industry partners, organizations, and services. My dream is to build a career in music production, creating recordings that empower others and bring light to untold stories. I envision a future where my work not only entertains but also offers a voice to those who have been silenced by life’s hardships. This scholarship is crucial in helping me achieve that dream. It will ease my financial burdens, allowing me to invest in essential tools and technology, and enable me to focus on honing my craft without the constant worry of economic instability. By supporting my education, you are not only investing in my future but also in a vision where creativity transforms pain into progress. With your help, I will continue to turn every challenge into an opportunity to inspire and make a lasting impact; both personally and professionally.
    Sabrina Carpenter Superfan Scholarship
    Attending Sabrina Carpenter's concert in 2019 at the Wellmont Theater was a pivotal moment in my life that left an indelible mark on both my personal and artistic journey. As a first-generation college student pursuing a degree in music recording and production, and as an immigrant navigating through the complexities of the U.S. education system, I have often sought sources of inspiration that not only motivate me but also help me define my artistic identity. Sabrina Carpenter, through her talent, authenticity, and unshakable confidence, became the beacon that illuminated my path toward becoming a performer and singer. Sabrina’s music, style, and stage presence transcended my expectations. I had admired her from afar for years, watching her grow from a Disney Channel star into a multifaceted artist with a clear vision and voice. But it was witnessing her live performance that truly solidified my admiration. There’s something incredibly powerful about watching an artist connect with their audience in such an intimate and genuine way. Sabrina’s energy on stage was magnetic; every note she sang and every move she made felt intentional, as though she was sharing a piece of her soul with the audience. This experience was more than just a concert; it was a masterclass in artistry and performance. Her career has shown me what it means to balance vulnerability and strength in both music and personal expression. As I reflect on her journey, I’m reminded that success in the music industry doesn’t just come from technical proficiency but from the ability to connect with others on a deeper level. Sabrina’s songs often deal with themes of self-discovery, resilience, and empowerment, and hearing her perform these pieces live made me feel seen, heard, and understood. I learned that music can be both a personal and universal experience, and that message has been a driving force in my own pursuit of a career in music. Seeing Sabrina Carpenter in concert also reaffirmed my passion for singing and performance. Her journey has shown me that success in the music industry isn’t always linear and that staying true to oneself is the key to long-term growth. Sabrina’s ability to evolve, experiment with different genres, and remain authentic to her core has inspired me to embrace my own unique voice and perspective as an artist. As I continue to study music, I strive to bring that same energy and authenticity to my performances, and I see Sabrina as a model of how one can navigate the complexities of the music industry while maintaining integrity. In conclusion, Sabrina Carpenter’s career has had a profound impact on me, shaping both my aspirations and my artistic development. She has inspired me to embrace my love for performance, to be unapologetically myself, and to trust that my voice, both literally and figuratively,has value in the world of music. I am proud to call myself a fan, and I hope to one day inspire others the way she has inspired me.
    Pushing Our Scholars Forward
    Why I Enrolled in My Current Program I chose to major in Recording Arts Production because music is my greatest passion. As an immigrant from Trinidad & Tobago and a first-generation college student, I have always viewed music as a universal language that transcends borders. My love for music started at a young age, but it was through production that I discovered the power of shaping sound and storytelling. I enrolled in this program because I want to develop the technical skills necessary to produce, record, and perform music at a professional level. I also want to help amplify the voices of artists, especially those from underrepresented communities like mine, who may not have access to the resources needed to share their talents with the world. How I Will Use My Knowledge to Benefit Society Music has the power to heal, unite, and inspire change. With my education, I plan to make a meaningful impact in the industry by creating opportunities for aspiring artists, particularly young musicians from immigrant and first-generation backgrounds who lack access to professional training. I want to establish a mentorship program that provides music education, production training, and career guidance to underserved communities. Additionally, I aim to use my skills to produce music that tells important stories; whether it’s shedding light on social issues, celebrating cultural heritage, or simply creating songs that bring people joy and comfort. By bridging the gap between artistry and accessibility, I hope to give back in a way that fosters growth and representation in the music world. Balancing Work and College Working while being a college student has been incredibly challenging, but it has also taught me valuable lessons in time management, discipline, and perseverance. As a student with significant loan debt, I have had to take on jobs to support myself, all while balancing coursework, rehearsals, and production projects. There have been times when exhaustion made it difficult to focus on my studies, but I’ve learned to push through and stay motivated because I know what’s at stake. One of the hardest aspects of working while in school is knowing that financial limitations sometimes prevent me from dedicating as much time as I’d like to my craft. Not having a car has also made it difficult to travel between classes, work, and potential networking opportunities. Despite these obstacles, working while studying has given me a deeper appreciation for the opportunities I do have. It has made me more resourceful, determined, and driven to succeed; not just for myself, but for my family and my community. Conclusion My journey as a first-generation college student and working musician has been tough, but it has reinforced my passion for my field. I know that every challenge I overcome brings me one step closer to achieving my dreams. Through my education, I hope to inspire, uplift, and create meaningful change in the music industry and beyond.
    Dream Valley Landscaping 2025 Scholarship
    Tell Us About Yourself My name is Shemia, and I am a first-generation college student majoring in Recording Arts and Production. Originally from Trinidad & Tobago, my mother and I immigrated to the United States in search of better opportunities. Music has always been a guiding force in my life, shaping my identity and giving me a sense of purpose. I aspire to make a meaningful impact in the music industry, not only as a performer but also as a producer who amplifies underrepresented voices, especially those of Caribbean artists like myself. How Will This Scholarship Help You? As a student with significant loan debt, financial stress is a constant challenge. Additionally, not having a car makes it difficult to access internships, networking events, and even day-to-day college life. This scholarship would help alleviate some of that burden, allowing me to focus on my education and career development without constantly worrying about finances. It would bring me closer to my dreams by providing me with the resources I need to succeed. What Are Your Academic and/or Career Goals? My goal is to establish myself in the music industry as both a performer and a producer. I want to create music that resonates with people while also helping other artists bring their visions to life. Beyond personal success, I aim to build a platform that supports young musicians, especially those from immigrant backgrounds, by providing them with mentorship, resources, and opportunities that they may not otherwise have. How Have You Contributed to Your Community? Giving back is deeply important to me. Throughout high school and college, I have used my musical talents to inspire and support others. I have volunteered to teach music lessons to younger students and have performed at community events that raise funds for important causes. Additionally, I have been a mentor to fellow first-generation students, sharing my experiences and helping them navigate the challenges of college life. I believe that small acts of kindness and guidance can make a significant difference, and I intend to continue giving back throughout my career. Tell Us About a Time You Failed and What You Learned From It One of my biggest failures was my first attempt at producing a song. I had a vision but lacked the technical skills to execute it properly. After spending hours on the project, I ended up with something that didn’t meet my expectations, and I felt discouraged. However, instead of giving up, I used that failure as motivation to improve. I dedicated myself to learning more about production, taking courses, and practicing relentlessly. Now, I can confidently produce my own music, and I view that failure as an essential stepping stone in my growth. Describe Your Greatest Strengths One of my greatest strengths is my resilience. Despite financial hardships and the challenges of being a first-generation college student, I continue to push forward. I am also highly creative, always finding new ways to express myself through music. Lastly, I am deeply empathetic, using my experiences to connect with and uplift others. These strengths fuel my passion and drive to succeed, not just for myself, but for my community as well.
    Theresa Lord Future Leader Scholarship
    As a Trinidadian immigrant, I feel a deep connection to Theresa Lord’s story. Like her, my mother left our small island in pursuit of better opportunities, believing, just as Theresa did, that education is the key to success. Her sacrifices are the reason I am here today, working toward my degree in Recording Arts and Production. My journey has not been easy, but my heritage and my family's resilience have given me the strength to keep pushing forward. Music has always been more than just a passion for me—it is my purpose. Growing up in Trinidad & Tobago, I was surrounded by the rich sounds of soca, calypso, and steelpan. These rhythms shaped my love for music and instilled in me the desire to tell stories through sound. Now, as a college student in the U.S., I am determined to carve out a space for myself in the music industry, where I can elevate Caribbean voices and bring more cultural representation into mainstream media. My ultimate goal is to become a producer and performer who creates opportunities for underrepresented artists, ensuring that the next generation of musicians, especially those from immigrant backgrounds, have a platform to share their art. One of the biggest obstacles I have faced is the financial burden of being a first-generation college student. My mother worked hard to give me a chance at higher education, but student loan debt has been an overwhelming reality. On top of that, not having a car has made navigating college life much more difficult, limiting my ability to attend networking events, internships, and even some classes. At times, it feels like the odds are stacked against me. However, my struggles have only deepened my resilience. They have taught me that while barriers exist, they do not define me. Like Theresa Lord, I believe in myself and the power of education to change lives. Through these challenges, I have learned the value of perseverance and adaptability. I have found ways to make the most of my opportunities, taking on every gig, mentorship, and learning experience that comes my way. Most importantly, I have realized that my success is not just about me; it is about honoring my mother’s sacrifices, uplifting my community, and paving the way for others who face similar struggles. This scholarship would alleviate some of the financial pressure weighing on me and allow me to focus on what truly matter—my education and my dreams. It would bring me one step closer to achieving my goals and, in turn, giving back to my community by creating opportunities for young Caribbean artists. Like Theresa Lord, I want to witness milestones. Not just my own, but those of the people I will help along the way.
    Dr. Christine Lawther First in the Family Scholarship
    Being the first in my family to obtain a college degree is both an honor and a responsibility. As an immigrant from Trinidad & Tobago, I have watched my mother work tirelessly to provide me with opportunities she never had. Her sacrifices are the foundation upon which I am building my future, and earning a degree is not just for me;it is for her, for my family, and for every dream she put on hold so that I could chase mine. It represents breaking a cycle, proving that higher education is possible despite financial and systemic obstacles, and paving the way for future generations. The weight of being a first-generation student is heavy, but it fuels my determination to succeed. In college, I am pursuing a degree in Recording Arts and Production. Music has always been my passion, my escape, and my way of expressing myself. From a young age, I was captivated by the way sound could tell stories, evoke emotions, and bring people together. I want to master the technical and artistic aspects of music production so that I can contribute meaningfully to the industry. Whether it is through producing music, performing, or mentoring aspiring artists, I want to help create spaces where diverse voices are heard and celebrated. My long-term goal is to establish a career in the music industry where I can uplift underrepresented artists and provide opportunities for those who, like me, come from immigrant or first-generation backgrounds. I want to use my expertise to produce music that inspires and connects people across cultures. Eventually, I hope to open a recording studio that doubles as an educational space, where young musicians can learn about music production, songwriting, and the business side of the industry. Beyond that, I want to advocate for accessibility in the arts, ensuring that financial barriers do not prevent talented individuals from pursuing their creative dreams. Being a first-generation college student comes with immense challenges, from navigating student loan debt to balancing academic and personal responsibilities. Without a car, commuting to school and accessing networking opportunities is difficult, making the journey even more demanding. However, these struggles only strengthen my resolve. My education is more than just a personal achievement; it is proof that with perseverance, passion, and support, success is possible. This scholarship would be life-changing, allowing me to focus more on my studies and career development rather than the financial strain of student debt. It would also bring me closer to securing reliable transportation, making it easier to access internships, auditions, and industry events that are crucial to my growth. Ultimately, earning my degree is just the beginning. My journey is about more than personal success; it is about using my experiences to help others find their path in music and beyond. I want to honor my mother’s sacrifices by making the most of every opportunity and, in turn, creating opportunities for those who come after me.
    American Dream Scholarship
    The American Dream, to me, is about opportunity; the chance to build a life that reflects my passions, hard work, and aspirations, despite the challenges that come with being an immigrant. It’s about resilience, determination, and the pursuit of something greater than what was previously possible. For my family, the American Dream meant leaving behind familiarity and comfort in Trinidad & Tobago to seek better educational and career opportunities in the United States. My mother made immense sacrifices to provide me with a future full of possibilities, and now, as I navigate my own journey, I carry that same drive to make the most of every opportunity. Pursuing a college degree has not been easy. As an immigrant and a first-generation college student, I’ve had to learn how to navigate higher education with limited resources and financial strain. Student loan debt is a looming burden, and without a car, simple tasks like commuting to class, attending internships, or participating in networking events are incredibly difficult. Yet, despite these struggles, I am determined to push forward. My passion for music drives me to persevere, and I see my education as the foundation for a career that will allow me to uplift others, especially those who, like me, come from immigrant backgrounds and face systemic barriers. For me, the American Dream is not just about personal success; it’s about giving back. Music has been my refuge, my inspiration, and my way of connecting with the world. Through my studies in recording arts and production, I hope to carve a path in the music industry where I can amplify the voices of underrepresented artists, create meaningful work, and use my platform to mentor and support young musicians. I want to show aspiring artists,especially those from immigrant families, that their dreams are valid, no matter their circumstances. The American Dream is often portrayed as a destination, but I see it as an ongoing journey. One that requires persistence, adaptability, and community. It’s about breaking down barriers so that the next generation has an easier path forward. I aim to use my career to build opportunities for young artists who lack access to resources, providing them with the guidance, encouragement, and technical knowledge needed to succeed. Receiving this scholarship would be a critical step in my journey. It would ease my financial burden, allowing me to focus on my studies and future career without the constant worry of debt. It would also bring me closer to achieving independence by helping me save for a car, which would significantly improve my ability to seize educational and professional opportunities. At its core, the American Dream is about hope, the hope that with enough determination, anything is possible. My mother’s sacrifices have shown me the power of perseverance, and I intend to honor that by making the most of my education and using my career to uplift others. For me, the dream isn’t just about achieving success; it’s about making sure others can, too.
    Sunni E. Fagan Memorial Music Scholarship
    Music has always been more than just a passion for me. It’s been a source of healing, self-expression, and connection. From a young age, I found comfort in music, whether through singing, playing instruments, or experimenting with production. It became my way of making sense of the world, and as I grew older, I realized just how powerful music could be in shaping lives. That realization led me to pursue a degree in Recording Arts and Production, with the goal of building a career where I can use my skills to create meaningful music and uplift others. As a first-generation college student, I understand the impact that guidance and mentorship can have on a young person’s path. I wouldn’t be where I am today without the teachers, mentors, and musicians who took the time to encourage and inspire me. That’s why I’m committed to giving back to the next generation through my career. I want to provide young musicians, especially those from underprivileged backgrounds, with opportunities to explore their creativity and develop their talents. One of my biggest goals is to create accessible music programs that introduce kids to songwriting, production, and performance. Many young people have incredible talent but lack the resources to pursue music seriously. Through workshops, mentorship programs, or community outreach, I want to give them the tools and knowledge to grow as artists. I believe that by making music education more accessible, we can inspire a new generation of musicians and help them find their voices. Beyond education, I also want to use my career in the music industry to amplify the stories and struggles of youth. Music has the power to highlight important social issues and bring people together. I hope to work with young artists, helping them produce music that reflects their experiences and allows them to be heard. Whether it’s through producing albums, organizing community events, or collaborating with nonprofit organizations, I want to create spaces where young people feel seen and empowered through music. This scholarship would bring me one step closer to achieving my dreams. As someone with significant student loan debt and financial struggles, it’s not always easy to focus on my long-term goals. Every bit of support allows me to invest more in my education and future, so I can one day give back in the ways I envision. Music changed my life, and I want to use it to change the lives of others. I believe that every young person deserves the chance to explore their creativity, and I’m committed to making that possible. Through mentorship, education, and advocacy, I hope to inspire the next generation of musicians and show them that their voices matter.
    Charles Cheesman's Student Debt Reduction Scholarship
    I am a first-generation college student pursuing a degree in Recording Arts and Production, driven by my deep love for music and the power it has to connect people. Ever since I was young, music has been my escape, my passion, and my way of making sense of the world. Whether it was singing, playing instruments, or experimenting with production software, I found joy in creating and shaping sound. That passion led me to study music seriously, and now, I’m working toward a career in the music industry where I can bring stories to life through sound and production. Being the first in my family to attend college is both an honor and a challenge. While my family has always supported my dreams, finances have been a constant struggle. I rely heavily on student loans to afford tuition, and the weight of that debt is something I think about every day. On top of that, not having a car has made college life significantly harder. Commuting to class, attending music gigs, and getting to potential job opportunities in the industry is difficult when I have to depend on unreliable public transportation or expensive rideshares. Still, I push through because I know what’s at stake. I am determined to build a career doing what I love and to prove to myself and my family that all the sacrifices are worth it. Despite these challenges, I stay committed to my education and my community. I love collaborating with other musicians, mentoring younger students, and using my skills to help others express themselves through music. I believe that music is more than just entertainment; it’s a powerful tool for healing, connection, and storytelling. I want to use my degree not just to build a career for myself but also to uplift others by creating meaningful music and helping artists bring their visions to life. If I were awarded this scholarship, it would relieve a huge financial burden and allow me to focus more on my studies and career goals. Paying down my student loans would give me a little more breathing room, and more importantly, it would help me save for a car, which is something that would completely change my ability to access opportunities. With reliable transportation, I could take on internships, attend industry events, and work more efficiently toward my goals without the stress of figuring out how to get there. Music has always been my guiding light, and I know that with the right support, I can turn my passion into a lasting career. This scholarship wouldn’t just help me financially; it would give me the freedom to focus on what truly matters: honing my craft, building connections in the industry, and finding ways to give back through music. I’m committed to making the most of my education and using my talents to make a difference, and this support would bring me one step closer to making that dream a reality.
    Holli Safley Memorial Music Scholarship
    The Transformative Power of Music: My Journey and Aspirations Music has been the foundation of my identity for as long as I can remember. It is more than just a passion—it is a language through which I express myself, process emotions, and connect with others. From childhood, I was captivated by the way music could tell stories, evoke emotions, and create bonds between people. As I grew, this fascination turned into a deep commitment to mastering my craft and sharing it with the world. Music has profoundly shaped who I am today by providing both an escape and a sense of belonging. It has been my solace during difficult times and my greatest source of joy. Whether through singing, playing an instrument, or producing music, I have found a voice that allows me to communicate in ways words often fail to. My journey in music has been one of perseverance, and endless curiosity, and I am eager to continue developing my artistry through my music production degree and than through my performance career. The decision to pursue a performance degree is driven by my desire to refine my skills and immerse myself in an environment where I can learn from experienced mentors and collaborate with like-minded artists. Performing is not just about showcasing talent; it is about storytelling, evoking emotion, and creating moments that resonate with audiences. I aspire to bring music to life in a way that moves people and leaves a lasting impact. Through rigorous training, I aim to push my boundaries, explore new musical styles, and develop a voice that reflects my artistic vision. Beyond my personal growth, I am committed to sharing my love of music with others. Music has the power to heal, inspire, and unite people, and I want to be an advocate for its transformative potential. One of my greatest joys is teaching and mentoring aspiring younger musicians, helping them unlock their potential and find confidence in their abilities. Whether through private lessons, community workshops, or performances that bring awareness to social issues, I want to use my gifts to uplift and empower others. As I embark on this journey, I am aware of the challenges that come with a performance career, but I embrace them wholeheartedly. My goal is not just to be a performer but to be a storyteller, an educator, and an advocate for the power of music. With dedication, and an unwavering love for my craft, I am ready to make a meaningful impact in the world through music.
    Neil Margeson Sound Scholarship
    The performing arts field I am pursuing is music recording and production. Music has always been more than a passion for me. I believe it’s a way to express myself, heal, and connect with others. I’ve been formally studying my craft for the past three years, but my journey with music began much earlier. As a child, I was captivated by the way music could tell stories and evoke emotions, and I would spend hours singing along to my favorite songs, dreaming of one day creating my own. When I first started studying music production, I faced many challenges. Learning the technical aspects of recording and production was overwhelming at first, but I was determined to push through. My breakthrough moment came when I completed my first cover song, Ariana Grande’s “Into You.” It wasn’t perfect, but it was a milestone that proved to me that I was capable of bringing my artistic vision to life. That moment solidified my decision to pursue music production as a career. Beyond the technical skills, music has been a source of healing and self-discovery for me. It’s helped me navigate difficult times, giving me a safe space to process my emotions and turn them into something beautiful. I’ve also found peace and inspiration through journaling, which often serves as the foundation for my lyrics and creative ideas. Music has also allowed me to use my creativity in fashion. Since I’ve been studying music, I’m able to express myself physically as well. My long-term goals in music are deeply rooted in creating art that resonates with people and breaking barriers within the industry. I want to produce music that inspires, heals, and connects audiences worldwide. I also hope to empower other aspiring musicians, particularly those from underrepresented communities, by providing them with access to resources and opportunities in music education. Winning this scholarship would mean the world to me. It would allow me to continue refining my skills and pursuing my dream of making a lasting impact in the music industry. I also want to use my platform to show others that with hard work and determination, it’s possible to turn your passion into a career. Music has the power to bring people together and change lives, and I am committed to being a part of that change. With your support, I know I can achieve my goals and make a meaningful difference in the world of music.
    Lee Aca Thompson Performing Arts Scholarship
    The performing arts field I am pursuing is music recording and production. Music has always been more than a passion for me. I believe it’s a way to express myself, heal, and connect with others. I’ve been formally studying my craft for the past three years, but my journey with music began much earlier. As a child, I was captivated by the way music could tell stories and evoke emotions, and I would spend hours singing along to my favorite songs, dreaming of one day creating my own. When I first started studying music production, I faced many challenges. Learning the technical aspects of recording and production was overwhelming at first, but I was determined to push through. My breakthrough moment came when I completed my first cover song, Ariana Grande’s “Into You.” It wasn’t perfect, but it was a milestone that proved to me that I was capable of bringing my artistic vision to life. I believe that moment solidified my decision to pursue music production as a career. Beyond the technical skills, music has been a source of healing and self-discovery for me. It’s helped me navigate difficult times, giving me a safe space to process my emotions and turn them into something beautiful. I’ve also found peace and inspiration through journaling, which often serves as the foundation for my lyrics and creative ideas. Music has also helped me unleash my creativity in fashion. Since I’ve been started studying music, I’m able to express myself physically as well, in outfits that scream ME. My long-term goals in music are deeply rooted in creating art that resonates with people and breaking barriers within the industry. I want to produce music that inspires, heals, and connects audiences worldwide. I also hope to empower other aspiring musicians, particularly those from underrepresented communities, by providing them with access to resources and opportunities in music education. Winning this scholarship would mean the world to me. It would allow me to continue refining my skills and pursuing my dream of making a lasting impact in the music industry. I also want to use my platform to show others that with hard work and determination, it’s possible to turn your passion into a career. Music has the power to bring people together and change lives, and I am committed to being a part of that change. With your support, I know I can achieve my goals and make a meaningful difference in the world of music.
    Marshall and Dorothy Smith Music Scholarship
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at William Paterson University is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Digital Music Creation at Montclair State University, I plan to join the Management and Leadership Club to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships/working on campus. With the help of this scholarship, I can beat the statistics and inspire others.
    Everett J. Collins, Jr. Music Scholarship
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at William Paterson University is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Digital Music Creation at Montclair State University, I plan to join the Management and Leadership Club to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships/working on campus. With the help of this scholarship, I can beat the statistics and inspire others.
    Live Music Lover Scholarship
    On a crisp March evening in 2019, the Wellmont Theater in New Jersey became the stage for a magical experience that would linger in my memory like a cherished dream. The anticipation in the air was almost tangible, a palpable buzz that hummed through the crowd as they gathered in the historic theater, which itself seemed to have been wrapped in a cocoon of excitement and anticipation. As you entered the Wellmont Theater, its grandeur enveloped you. The ornate architecture, with its sweeping curves, whispered tales of countless performances that had come before. You could feel the whispers of history mingling with the electric energy of the night. The scent of popcorn and the faint echo of the audience’s excited chatter painted the scene. When the lights dimmed, an expectant hush fell over the crowd. The once-familiar space transformed into a dreamscape of vibrant colors and dynamic visuals. Sabrina Carpenter emerged from the shadows like a star awakening from a slumber, her presence commanding immediate attention. The spotlight illuminated her in a halo of light, casting her in an almost ethereal glow. Her performance was a mesmerizing symphony of sound and sight. As she moved across the stage. Her choreography was a fluid dance of grace and energy. Each song she performed felt like a chapter in a fantastical storybook. The visuals that accompanied her set were nothing short of spectacular; they painted the space with swirling hues and sparkling constellations. The stage itself seemed to pulse with a heartbeat of its own. Giant screens displayed dreamlike patterns, while lasers cut through the air like ribbons of light. The effect was transformative, as though the theater had transcended its physical boundaries, merging with the dreamscape of the performance. The crowd moved in unison. Every note sung and every beat dropped was met with cheers and applause, creating a wave of sound and emotion that surged through the venue. There was a collective sense of exhilaration, a shared experience that bound you and the rest of the audience together in a moment of pure, unadulterated joy. In between songs, Sabrina's interactions with the crowd were warm and personable. Her genuine smiles and heartfelt thanks felt like a touch of magic. The intimacy of the Wellmont Theater allowed for these moments to resonate deeply, making her every word and gesture feel like a personal gift. As the concert drew to a close, the final notes reverberated through the theater, and the lights gradually dimmed, leaving behind a lingering sense of wonder. The audience, though slowly making their way out, was still awash in the afterglow of the evening's enchantment. The experience left an indelible mark on you, like the echo of a beautiful dream that you never wanted to end. Leaving the theater, you carried with you not just the thrill of a first concert, but the magic of a night where reality had intertwined with fantasy, and where Sabrina Carpenter’s performance had painted the evening with strokes of brilliance that would remain in my heart forever.
    Randall Davis Memorial Music Scholarship
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at William Paterson University is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Digital Music Creation at William Paterson, I plan to join the Management and Leadership Club to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships/working on campus. With the help of this scholarship, I can beat the statistics and inspire others.
    Maggie's Way- International Woman’s Scholarship
    I step out of the plane, a strange world sits before me, with buildings that tower over my 4 year old body. Surrounded by lots of fair-skinned people with small metals going through their noses and inappropriate music blasting out of huge vehicles. Granny covered my little ears. I was like Dorothy in Oz, overwhelmed by blinding color and strange dialects. My mind was racing, my face getting hot as I panickedly looked around, “Granny, we’re not in Trinidad anymore, are we?” I was born in Trinidad & Tobago where I lived in a little farm house with my mother, aunts and 4 siblings. It was always at least 80 degrees with a refreshing beach breeze. I can still taste my favorite dish as I write this, chutney. The intense spices that were soaked into mangoes and oranges that my aunt made every week. Our neighbors loved it too. I was obliged to offer the chutney up even if I wanted more. A child saying no to an elder was like picking a flower from the Deadly Poppy Field. It was down right sinful. This close knit God-fearing community I grew up with taught me everything I thought I needed to know. Then my tornado suddenly appeared and landed us in the US, with only my mother and twin brother and everything we knew was uprooted. In the movies, America was portrayed as the Land of Free. However, free speech didn’t apply to me. Every time I spoke, classmates would laugh and ask me why I don’t pronounce my r’s or why my t’s sounded like h’s. I felt defeated and silenced. This prompted me to stop speaking altogether. And the further South we moved the more cruel the kids got. This all changed when I moved to New York. It was the first time I saw a Trinidadian flag hanging outside a window that wasn’t ours. In Brooklyn I was surrounded by kids like me for once. No one talked the same way and everyone had a story of how they got here. I was surprised to learn there was a Culture Day at my school. Everyone brought in their favorite dishes from their culture. I was elated to feel supported by my classmates. This time I wasn’t mad to offer up my chutney. After finally fitting in there, my freedom was once again revoked when I moved to New Jersey. I didn’t understand the slang used by the community. I never knew what clothes were in or out of style. This caused me to feel alone and confused. I had to resort to tactics like watching Keeping Up With the Kardashians every night just to understand American culture. Eventually my time and research helped me interpret the American way of life. Knowing how to speak to my peers after years of struggle made me feel strong, helping me master how to adapt to my new surroundings. This allowed me to recognize differences between two major cultures. I felt powerful for being able to understand two completely different countries that have had immensely impacted who I am today. I believe my tornado came with incredible opportunities. Though my yellow brick road was long and filled with obstacles, I faced each one head on. It introduced me to a whole new lifestyle. Even though I still find myself confronted by obstacles, both Trinidadian and American cultures flow through me. I strive to continue my adventure in this mystical world.
    Kim Moon Bae Underrepresented Students Scholarship
    I step out of the plane, a strange world sits before me, with buildings that tower over my 4 year old body. Surrounded by lots of fair-skinned people with small metals going through their noses and inappropriate music blasting out of huge vehicles. Granny covered my little ears. I was like Dorothy in Oz, overwhelmed by blinding color and strange dialects. My mind was racing, my face getting hot as I panickedly looked around, “Granny, we’re not in Trinidad anymore, are we?” I was born in Trinidad & Tobago where I lived in a little farm house with my mother, aunts and 4 siblings. It was always at least 80 degrees with a refreshing beach breeze. I can still taste my favorite dish as I write this, chutney. The intense spices that were soaked into mangoes and oranges that my aunt made every week. Our neighbors loved it too. I was obliged to offer the chutney up even if I wanted more. A child saying no to an elder was like picking a flower from the Deadly Poppy Field. It was down right sinful. This close knit God-fearing community I grew up with taught me everything I thought I needed to know. Then my tornado suddenly appeared and landed us in the US, with only my mother and twin brother and everything we knew was uprooted. In the movies, America was portrayed as the Land of Free. However, free speech didn’t apply to me. Every time I spoke, classmates would laugh and ask me why I don’t pronounce my r’s or why my t’s sounded like h’s. I felt defeated and silenced. This prompted me to stop speaking altogether. And the further South we moved the more cruel the kids got. This all changed when I moved to New York. It was the first time I saw a Trinidadian flag hanging outside a window that wasn’t ours. In Brooklyn I was surrounded by kids like me for once. No one talked the same way and everyone had a story of how they got here. I was surprised to learn there was a Culture Day at my school. Everyone brought in their favorite dishes from their culture. I was elated to feel supported by my classmates. This time I wasn’t mad to offer up my chutney. After finally fitting in there, my freedom was once again revoked when I moved to New Jersey. I didn’t understand the slang used by the community. I never knew what clothes were in or out of style. This caused me to feel alone and confused. I had to resort to tactics like watching Keeping Up With the Kardashians every night just to understand American culture. Eventually my time and research helped me interpret the American way of life. Knowing how to speak to my peers after years of struggle made me feel strong, helping me master how to adapt to my new surroundings. This allowed me to recognize differences between two major cultures. I felt powerful for being able to understand two completely different countries that have had immensely impacted who I am today. I believe my tornado came with incredible opportunities. Though my yellow brick road was long and filled with obstacles, I faced each one head on. It introduced me to a whole new lifestyle. Even though I still find myself confronted by obstacles, both Trinidadian and American cultures flow through me. I strive to continue my adventure in this mystical world.
    Maggie's Way- International Woman’s Scholarship
    I step out of the plane, a strange world sits before me, with buildings that tower over my 4 year old body. Surrounded by lots of fair-skinned people with small metals going through their noses and inappropriate music blasting out of huge vehicles. Granny covered my little ears. I was like Dorothy in Oz, overwhelmed by blinding color and strange dialects. My mind was racing, my face getting hot as I panickedly looked around, “Granny, we’re not in Trinidad anymore, are we?” I was born in Trinidad & Tobago where I lived in a little farm house with my mother, aunts and 4 siblings. It was always at least 80 degrees with a refreshing beach breeze. I can still taste my favorite dish as I write this, chutney. The intense spices that were soaked into mangoes and oranges that my aunt made every week. Our neighbors loved it too. I was obliged to offer the chutney up even if I wanted more. A child saying no to an elder was like picking a flower from the Deadly Poppy Field. It was down right sinful. This close knit God-fearing community I grew up with taught me everything I thought I needed to know. Then my tornado suddenly appeared and landed us in the US, with only my mother and twin brother and everything we knew was uprooted. In the movies, America was portrayed as the Land of Free. However, free speech didn’t apply to me. Every time I spoke, classmates would laugh and ask me why I don’t pronounce my r’s or why my t’s sounded like h’s. I felt defeated and silenced. This prompted me to stop speaking altogether. And the further South we moved the more cruel the kids got. This all changed when I moved to New York. It was the first time I saw a Trinidadian flag hanging outside a window that wasn’t ours. In Brooklyn I was surrounded by kids like me for once. No one talked the same way and everyone had a story of how they got here. I was surprised to learn there was a Culture Day at my school. Everyone brought in their favorite dishes from their culture. I was elated to feel supported by my classmates. This time I wasn’t mad to offer up my chutney. After finally fitting in there, my freedom was once again revoked when I moved to New Jersey. I didn’t understand the slang used by the community. I never knew what clothes were in or out of style. This caused me to feel alone and confused. I had to resort to tactics like watching Keeping Up With the Kardashians every night just to understand American culture. Eventually my time and research helped me interpret the American way of life. Knowing how to speak to my peers after years of struggle made me feel strong, helping me master how to adapt to my new surroundings. This allowed me to recognize differences between two major cultures. I felt powerful for being able to understand two completely different countries that have had immensely impacted who I am today. I believe my tornado came with incredible opportunities. Though my yellow brick road was long and filled with obstacles, I faced each one head on. It introduced me to a whole new lifestyle. Even though I still find myself confronted by obstacles, both Trinidadian and American cultures flow through me. I strive to continue my adventure in this mystical world.
    Mohamed Magdi Taha Memorial Scholarship
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at The New School is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Music Production at Rider University, I plan to minor in Management and Leadership to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships and working on campus. With the help of this scholarship, I can beat the statistics and inspire others.
    Barbara J. DeVaney Memorial Scholarship Fund
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at The New School is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Music Production at Rider University, I plan to minor in Management and Leadership to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships and working on campus. With the help of this scholarship, I can beat the statistics and inspire others.
    Rev. and Mrs. E B Dunbar Scholarship
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at The New School is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Music Production at Rider University, I plan to minor in Management and Leadership to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships and working on campus. With the help of this scholarship, I can beat the statistics and inspire others.
    Chang Heaton Scholarship for Music Excellence
    Winner
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at The New School is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Music Production at Rider University, I plan to minor in Management and Leadership to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships and working on campus. With the help of this scholarship, I can beat the statistics and inspire others.
    Linda Fontenot-Williams Memorial Scholarship
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at The New School is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Music Production at Rider University, I plan to minor in Management and Leadership to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships and working on campus. With the help of this scholarship, I can beat the statistics and inspire others.
    DRIVE an IMPACT Today Scholarship
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at The New School is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Music Production at Rider University, I plan to minor in Management and Leadership to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships and working on campus. With the help of this scholarship, I can beat the statistics and inspire others.
    Velez NJ Scholarship
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at The New School is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Music Production at Rider University, I plan to minor in Management and Leadership to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships and working on campus. With the help of this scholarship, I can beat the statistics and inspire others.
    Godi Arts Scholarship
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at The New School is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Music Production at Rider University, I plan to minor in Management and Leadership to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships and working on campus. With the help of this scholarship, I can beat the statistics and inspire others.
    Bright Lights Scholarship
    Black women. They are hardly ever seen as talented, respected or accomplished. Instead they are deemed aggressive, lazy and unmotivated. Specifically in the music industry. However, Black women have been the masterminds behind influential music for decades. Including today. As a Black woman, to even be considered in the music industry, it's necessary they dress appropriately and act accordingly. And if they don’t, they get dismissed. An example of this concerns Jhene Aiko; she appeared on several popular boy-band's 2002 releases with vibrant R&B tracks. She was then set to release her debut album but there were tensions within her record label because of her “style and manner”. She was later released from the label. This outrageous flaw in the music industry makes it very difficult for Black women to showcase their talents and abilities. Spectators, however, crave their sound, soul, and passion. Just not their race or gender. This creates an extreme disadvantage to Black women while simultaneously creating an advantage to white and male musicians. What often happens is, white and/or male musicians will take a Black woman’s unique piece of work and change it slightly to then claim a whole new creation. A great example of this is Big Mama Thornton being the blueprint to Elvis Presley's greatest songs. Thornton wrote and originally recorded Presley’s Hound Dog. She gained very little recognition or profit for Hound Dog. The song’s origins as a female empowerment tune disappeared after Presley’s version was released. Spectators adore this because it still gives them the quality of a Black woman’s work without having to give them credit. This system is very difficult to overcome but there have been some tremendously talented Black women who have fought. Such as, SZA, Billie Holiday, Alicia Keys. What I want to do at The New School is to become an exception. Not only an exception but hopefully a precedent too. Just like the women I mentioned before. They set the path for aspiring Black, female artists like me. In addition to majoring in Music Production at Rider University, I plan to minor in Management and Leadership to ensure I will make change in the music industry. This will give me opportunities to collaborate with students and work towards our goals. I plan to invest in my future with internships and working on campus. With the help of this scholarship, I can beat the statistics and inspire others.