Summer Child in Winter
By the fall of 2023, my life was unraveling. My small business of nine years was coming to an end, and I was too exhausted to keep fighting to save it. I had been drowning myself with expensive wine for at least a year, following the year of cheap wine before it. My depression had never been worse, my outbursts uncontrollable, my anxiety spiking into new and unfamiliar territory. Some days, my suicidal thoughts felt like the only thing that seemed real, the only anchor in a world that no longer made sense. Driving had become dangerous—I was often swallowed into dissociation, vanishing without warning and arriving with no memory of the trip, shaken by the fear of realizing whole miles had gone missing and what could have happened in those blank spaces.
That was the point when I knew I couldn’t keep treading water. I delayed for a few more months, afraid of what real help might ask of me, until January 8, 2024, when I walked through the doors of a residential treatment center. I can point to that date on a calendar without hesitation—it was the day the current of my life began to change.
The place I found didn’t just soothe symptoms; it reached into the marrow of me, to the fractures I’d carried since before I had the words to name them. The work went deep, loosening survival mechanisms that had once kept me afloat but had long since turned into anchors, dragging me under.
It was in a barn in Round Top, Texas, that I first met Tyler Ward and was introduced to “carpet work,” a form of psychodrama that would change everything for me. At first, it sounded absurd—something out of a late 70’s couples retreat, overly theatrical and strange. But I was a sweet summer child, and it was the middle of winter. I didn’t yet understand the power of stepping into a living scene from your own history, or of taking on a role in someone else’s story to see the world through their eyes.
Weeks later, I experienced my first Pilgrimage, complete with a Lakota ceremonial sweat lodge. By then, I had been on the carpet in three ways—witness, participant, and bearer of my own work. As a witness, it felt almost sacred, like seeing someone open a locked door inside themselves. Watching their trauma unfold and transform in that space was humbling, and I was in awe of Tyler and my cohort.
As a participant, I played roles for others: the dead mother of a meth addict, the younger self of an undercover cop, one of many protectors standing behind a girl who needed strength facing an abuser. Each role shifted something in me. I felt the raw grief, the buried rage, the quiet resilience of people fighting their way toward healing. Each time I stepped off the carpet, I carried part of their courage with me.
Then came my own work—focused on abandonment and rejection. Standing on my carpet, I watched seventeen people gather without me, the most cutting among them taking the lead in shutting me out. My vision blurred and a rush of emotion shook me to my core. In an instant, I was back on the beige Berber carpet outside my sister’s bedroom, locked out, hearing laughter from the other side. I was small again, powerless, pressing my hands against a door that wouldn’t open. I still struggle to find perfect words for what happened after—I can only find fragments: visceral, emptying, freeing. When it ended, I was drenched in sweat, handed a key, and told words that still live in my bones: “Get the f*** off my carpet.”
When I returned home after fifty one days at The Prairie, my purpose was clear. I knew I wanted to help others experience what I had experienced. I decided to return to school—not just to finish my degree, but to prepare myself for the work I was meant to do.
My beliefs had shifted. I no longer saw healing as something a person could—or should—do entirely alone. I had seen how one person’s breakthrough could ripple outward, opening space for others to find their own turning point. Recovery, I realized, thrives in community.
My relationships changed, too. I began listening differently—not just to what was said, but to pauses, hesitations, the weight in someone’s voice. I learned to value honesty over performance, connection over appearance. Some relationships didn’t survive my changes; others deepened in ways I hadn’t thought possible. I learned who would stand beside me in my hardest moments, and how to be that person for someone else.
And my career aspirations took on a focused, steady shape. I am now pursuing my Bachelor’s in Social Work at the University of Houston-Downtown, with plans to earn my MSW and specialize in psychodrama. I want to work in residential treatment, especially with people facing substance use and co-occurring disorders, in group settings where the collective energy accelerates healing.
I wasn’t one of the polished, put-together ones—I was a storm in plain sight. But I’ve learned that chaos can hide just as much as composure. In my work, I want to remember that the people who seem the most unreachable—whether hidden behind a flawless mask or tangled in visible wreckage—still need someone to meet them where they are and believe they can come back from it.
I’ve been told to be cautious with self-disclosure, but my story is inseparable from my purpose. The deliverance from chaos—the way others stood with me when I was at my lowest—is what brought me here. I don’t just believe in the possibility of change; I am living proof of it.
When I imagine my future, I see myself in a room, holding space for people who believe they are too far gone, watching them realize that healing is possible. I see the carpet beneath us as a place where stories can be told without fear, where pain can be witnessed without judgment. I see myself using the same tools that helped me rebuild my own life, guiding others toward moments they didn’t think were possible.
This is my path. I’m ready—not because I’ve been perfect, but because I’ve been through the darkest places and know the way forward. One person, one group, one breakthrough at a time, I will be a fisher of people—not to keep them, but to pull them from deep waters and set them on their own shore.