The Girl Who Kept Her Questions in Jars
Mina collected questions.
Not stamps.
Not seashells.
Not shiny rocks from the playground, although she had seven of those too.
Questions.
She kept every question she had ever been too afraid, too embarrassed, too confused, or too late to ask inside a glass jar.
There were hundreds.
Maybe thousands.
Mina had stopped counting at 2,413 because Question 2,414 was:
Why do we stop counting things when the numbers get too big?
And then she had become distracted.
Her jars covered an entire wall of her bedroom.
There was a tiny blue jar labeled:
QUESTIONS ABOUT WATER
Where does a puddle go when it disappears?
Do fish ever get thirsty?
Who decided the ocean should taste like salt?
Beside it sat a yellow jar:
QUESTIONS THAT PROBABLY HAVE EASY ANSWERS
Why does my stomach make noises?
How does a zipper know how to close?
Why can I see the moon during the daytime?
There was a green jar:
QUESTIONS ABOUT THINGS THAT GROW
Do trees know when it is spring?
Why does cutting my hair not hurt, but cutting my finger does?
If I whisper nice things to a tomato plant, will the tomatoes taste better?
There was a purple jar:
QUESTIONS ABOUT PEOPLE
Why do grown-ups say “I'm fine” when they aren't?
Why does Grandma tell me the same story twice?
Why do people sometimes laugh when they're nervous?
And underneath Mina's bed, hidden behind three mismatched socks, a tennis ball, and a library book that was approximately six months overdue, there was a black jar.
Mina never touched that one.
Its label read:
QUESTIONS THAT MIGHT MAKE ME LOOK STUPID
It was the fullest jar in the room.
Mina had not always kept questions in jars.
When she was little, she released them everywhere.
At breakfast:
“Why are eggs called eggs?”
On the bus:
“How does the driver know where everybody lives?”
At the doctor's office:
“If medicine helps my body, how does it know where the hurting part is?”
During thunderstorms:
“If clouds bump into each other, do they apologize?”
Her mother tried to answer.
Her grandmother invented answers when she did not know them.
Her teacher sometimes said, “That's a great question.”
But Mina noticed something as she got older.
Questions had rules.
There were questions you were supposed to ask.
And questions you apparently were not.
Sometimes Mina raised her hand and another student whispered:
“You seriously don't know that?”
Sometimes she asked a question and somebody laughed.
Sometimes the teacher said:
“We don't have time for that right now.”
Sometimes Mina asked three questions in a row and heard someone sigh.
So Mina developed a system.
Whenever a question appeared, she wrote it down.
Fold.
Fold.
Drop.
Clink.
Into a jar.
It was safer there.
A question inside a jar could not make anyone laugh.
Eventually, Mina became very good at looking like someone who understood everything.
She nodded.
She took notes.
She smiled thoughtfully.
She wrote down words she planned to look up later.
Nobody knew that every afternoon she came home with her pockets stuffed with questions.
Fold.
Fold.
Drop.
Clink.
Fold.
Fold.
Drop.
Clink.
The jars multiplied.
Soon Mina needed another shelf.
Then another.
Her father installed one over the window.
Her mother bought labels.
Her grandmother contributed empty pasta-sauce jars.
“You ask too many questions,” her brother said.
Mina looked at the wall.
“Apparently.”
Then, on an otherwise completely ordinary Tuesday at exactly 11:43 p.m., Mina woke to a sound.
Tap.
She opened one eye.
Silence.
Then:
Tap tap.
Mina sat up.
Tap.
Tap tap tap.
One of her jars was shaking.
“No,” Mina whispered.
The jar shook harder.
“Absolutely not.”
The lid flew off.
A folded question shot into the air.
It unfolded itself above her bed.
The handwriting glowed silver.
WHERE DOES THE SKY END?
Before Mina could grab it, the question flew through her open window.
A silver thread followed behind it.
Mina stared.
She considered waking her mother.
She considered screaming.
She considered pretending none of this was happening.
Instead, Mina did what curious people have been doing since the beginning of time.
She followed it.
The silver question floated down the street.
Past the bakery.
Past the playground.
Past the house with the terrifyingly small dog that barked as though it paid the mortgage.
Up a hill.
At the very top sat an old woman beside a telescope.
The question landed gently in her lap.
The woman unfolded it.
“Where does the sky end?” she read.
Mina waited.
The woman shrugged.
“I don't know.”
Mina blinked.
“You don't know?”
“No.”
“But you have a telescope.”
“Yes.”
“And all those books.”
“Yes.”
“And you're...”
“Careful.”
Mina reconsidered.
“...clearly very experienced.”
“Excellent recovery.”
“But shouldn't you know?”
The woman laughed.
“Oh, goodness. The more I learn, the more things I find that I don't know.”
“That sounds terrible.”
“It is wonderful.”
The woman pointed toward the telescope.
“Look.”
Mina looked.
The moon was enormous.
It wasn't the smooth white circle she drew in the corners of her notebooks.
It had craters.
Shadows.
Mountains.
Mina gasped.
“Why does it have holes?”
The old woman smiled.
“Good question.”
“What are those dark parts?”
“Another good question.”
“Could someone live there?”
“Excellent.”
“What does moon dust feel like?”
“Now we're getting somewhere.”
Mina pulled a pencil from her pajama pocket.
She always carried one.
By sunrise, Mina had arrived with one question and left with forty-three.
This seemed mathematically unfair.
She loved it.
The following night:
Tap tap tap.
Another question escaped.
WHY DOES THE NEW BOY EAT LUNCH ALONE?
This one glowed yellow.
It did not lead Mina to a telescope.
It led her to Table 14 in the school cafeteria.
The next afternoon, Mina stood holding her lunch tray while Leo sat alone.
Science questions were easier.
You could Google them.
People were complicated.
Mina almost walked away.
Instead, she sat down.
Leo looked up.
“Hi.”
“Hi.”
Silence.
Mina panicked.
She considered asking why he was alone.
That suddenly felt enormous.
So she asked something smaller.
“Would you rather have spaghetti for hair or waffles for feet?”
Leo stared at her.
“What?”
“You'd have to wear syrup-resistant socks.”
He laughed.
“Spaghetti hair.”
“Obviously.”
The next day, Leo sat with Mina.
Mina never discovered one dramatic reason he had been eating alone.
She discovered that he had moved recently.
That he missed his old friends.
That he loved drawing dragons.
That he hated tomatoes.
That his grandmother made the best empanadas in the world, according to a completely unbiased source named Leo.
Mina learned something important.
Not every question exists to uncover an answer.
Some exist to begin a conversation.
After that, the jars became impossible to control.
WHY DID MY PLANT DIE?
That question led to the library.
Mina learned about roots, sunlight, soil, and the unfortunate consequences of watering a cactus fourteen times in one afternoon.
She planted another.
WHY DOES GRANDMA TELL THE SAME STORIES?
That question did not lead anywhere at first.
So Mina sat beside Grandma and listened to the story again.
This time, instead of saying, “You already told me,” Mina asked:
“What happened next?”
Grandma smiled.
Mina realized some questions were more important than answers.
WHY DOES MAYA DRAW PEOPLE WITH PURPLE HAIR?
“Because purple is better,” Maya explained.
There was apparently nothing else to investigate.
WHY DID I GET A 62 ON MY MATH TEST?
Mina disliked that question.
She attempted to return it to the jar.
The jar rejected it.
So she brought the test to her teacher.
“I don't understand what I did wrong.”
Her teacher pulled over a chair.
They went through every problem.
Mina discovered she had misunderstood one idea that affected almost everything after it.
She had spent three days thinking:
I'm bad at math.
The real answer was:
I don't understand this yet.
Mina thought those sentences looked similar from far away.
Up close, they were completely different.
One by one, Mina opened her jars.
Questions about animals.
Questions about stars.
Questions about why people get sick.
Questions about why some families have more money than others.
Questions about languages.
Questions about why some words cannot be translated perfectly.
Questions about airplanes.
Questions about countries she had never visited.
Questions about why her own body sometimes did strange things.
Questions about whether she could become a scientist.
Questions about whether scientists were allowed to ask questions they could not answer.
Especially those, it turned out.
Her bedroom slowly emptied.
Except for the black jar.
QUESTIONS THAT MIGHT MAKE ME LOOK STUPID
It remained underneath her bed.
Until Thursday.
Thursday was terrible.
Mina forgot her homework.
It rained during recess.
Someone ate the snack she had been saving.
She answered a question incorrectly in class and heard two students laugh.
Then her teacher announced a science competition.
“You can design an experiment about anything you're curious about.”
Mina's heart jumped.
She had an idea immediately.
Then another thought arrived.
What if everyone else's idea is better?
Fold.
Fold.
Drop.
Clink.
Another followed.
What if I don't know enough?
Clink.
What if I ask for help and everyone realizes I have no idea what I'm doing?
Clink.
What if I fail?
CLINK.
The black jar began shaking.
Mina shoved it farther under the bed.
“No.”
The jar shook harder.
“No no no.”
CRACK.
A thin line appeared across the glass.
Mina reached for it.
Too late.
BOOM.
The jar exploded.
Questions filled the room.
Hundreds.
Thousands.
They spun around Mina like frightened birds.
WHAT IF I'M NOT SMART ENOUGH?
WHAT IF EVERYONE ELSE ALREADY KNOWS?
WHAT IF I DON'T BELONG HERE?
WHAT IF I TRY AND FAIL?
WHAT IF I ASK AND THEY SAY NO?
WHAT IF I GO SOMEWHERE I'VE NEVER BEEN AND GET LOST?
WHAT IF MY DREAM IS TOO BIG?
WHAT IF I AM TOO SMALL?
Mina covered her ears.
“STOP!”
The questions did not stop.
She ran downstairs.
Her mother found her sitting on the kitchen floor.
“What happened?”
“My questions got out.”
Her mother looked upstairs.
A glowing question floated past the doorway.
WHAT IF I DISAPPOINT EVERYONE?
“Oh,” Mom said.
“That one.”
“You've had it too?”
Her mother laughed softly.
“Mina, I still have it.”
Mina stared at her.
“But you're my mom.”
“Yes.”
“Aren't moms supposed to know what they're doing?”
Her mother laughed so hard she had to sit on the floor too.
“No.”
“Oh.”
They sat quietly.
“What do I do with them?” Mina finally asked.
Her mother picked up one of the questions.
WHAT IF I ASK AND THEY SAY NO?
She handed it to Mina.
“I suppose you find out.”
“That is not helpful.”
“It might be the only way.”
So Mina tried something new.
She caught the question.
She turned it over.
The back was blank.
She wrote:
Then I can ask someone else.
The question stopped glowing.
Another floated toward her.
WHAT IF I FAIL?
Mina wrote:
Then I will know something I didn't know before I tried.
Another:
WHAT IF I DON'T BELONG?
Mina thought longer about that one.
Finally:
Maybe belonging sometimes begins by showing up before you feel ready.
The question folded itself into a tiny paper bird.
It flew out the window.
One by one, Mina caught the others.
Some had answers.
Some didn't.
Some became experiments.
Some became conversations.
Some became apologies.
Some became friendships.
Some became books.
One became a plane ticket many years later.
And some questions simply remained questions.
Mina learned to be okay with that too.
The next morning, Mina removed every jar from her bedroom.
She recycled the blue one.
The yellow one.
The green one.
Even the black one, although she kept one piece of glass on her desk to remember it.
She kept only a single jar.
Clear.
Empty.
No label.
Her brother walked in.
“What's that one for?”
“Questions.”
“I thought you weren't collecting them anymore.”
“I'm not.”
He looked confused.
“Then why have a jar?”
Mina dropped a question inside.
CLINK.
“Because I want somewhere to start.”
Years passed.
Mina grew.
Her questions grew with her.
Why does the brain remember some things and forget others?
Why can two people speak different languages and still understand each other?
Why does the body sometimes attack something harmless?
Why do some people have access to healthcare while others don't?
What happens when humans, animals, and the environment all affect one another?
Those questions took Mina into classrooms.
Hospitals.
Laboratories.
Countries she had once only seen on maps.
She met people who knew things she didn't.
She became very good at saying:
“Can you teach me?”
Sometimes they did.
Sometimes they couldn't.
Sometimes they said no.
Mina learned that “no” was surprisingly survivable.
Then she asked someone else.
One day, Mina stood somewhere very far from the bedroom where the jars had once covered her walls.
The grass stretched farther than she could see.
Animals moved across the horizon.
The sky looked enormous.
Someone beside her asked:
“Did you always know you'd end up here?”
Mina laughed.
“No.”
“Then how did you get here?”
Mina thought about the telescope.
Leo.
The dead cactus.
The math test.
Her grandmother.
Her mother sitting on the kitchen floor.
The black jar.
Every raised hand.
Every email.
Every application.
Every time she had admitted:
I don't know.
Every time she had followed it with:
Can I learn?
She smiled.
“I followed my questions.”
That night, Mina found a tiny glass jar.
She placed it beside her bed.
She wrote one question.
Fold.
Fold.
Drop.
Clink.
WHERE DO I GO NEXT?
And this time, Mina couldn't wait to find out.
Why I Chose This Message
There is a particular kind of embarrassment that comes with being the person who does not know something everyone else seems to already understand.
I know that feeling very well.
As a first-generation college student, I entered higher education believing that if I worked hard enough, I could figure everything out. What I did not realize was how much of college exists outside the classroom. There were opportunities, research positions, scholarships, programs, professors to contact, certificates, applications, and entire paths I did not know existed.
Sometimes I would hear another student casually mention an opportunity and think:
How did you know to look for that?
For a while, that question made me sad.
Then it became useful.
I started asking.
I emailed professors I had never met. I asked advisors questions I worried were obvious. I applied for opportunities even when I wasn't sure I belonged. I asked researchers whether I could work with them. I asked what else existed. I asked, “Can you tell me more?”
Those questions have changed my life.
They helped lead me into research studying bilingualism, language processing, cognition, eye-tracking, and EEG. They pushed me toward studying Neurobiology and Spanish and thinking about how language affects healthcare. My own experiences with severe allergies created another collection of questions about the immune system and why the human body sometimes interprets something harmless as dangerous. Working with patients gave me questions medicine cannot always answer with a textbook.
And now my questions are taking me to Kenya for field research.
I chose curiosity as the center of this story because children are naturally phenomenal question-askers.
Then something happens.
They begin noticing which questions make adults impatient.
They hear someone laugh at a wrong answer.
They realize admitting “I don't know” can feel vulnerable.
Slowly, some children stop raising their hands.
That is why Mina does not collect answers.
She collects the questions she becomes afraid to release.
I wanted the jars to make that invisible process visible. Every time Mina chooses silence, another question gets trapped behind glass. The questions remain beautiful and full of possibility, but they cannot take her anywhere until she lets them out.
The black jar matters most to me.
Children's curiosity is not limited by what they don't know. It is often limited by what they become afraid that not knowing says about them.
What if I'm not smart enough?
What if everyone else already understands?
What if I fail?
Those questions follow many of us long after childhood.
I did not want Mina to magically stop being afraid of them. Instead, she learns to turn them over.
That is the lesson I would want a child to remember.
“What if I fail?” does not need to become “I definitely won't fail.”
Sometimes the healthier answer is:
Then I will learn what happens next.
Storytelling is uniquely powerful because it allows children to experience an idea before they have language for it. A child may not understand a lecture about intellectual humility, resilience, metacognition, empathy, or fear of failure.
But they understand a jar.
They understand hiding something because someone might laugh.
They understand a question knocking against the glass because it wants to get out.
They understand the difference between “I'm bad at this” and “I don't understand this yet.”
And maybe, months after reading the story, that child will be sitting in a classroom with a question.
Maybe their hand will start to rise and then stop.
Maybe they will wonder whether everyone else already knows.
I hope they remember Mina.
I hope they imagine the question folding itself smaller and smaller, waiting to be put away.
And I hope, instead, they raise their hand.
Because I have learned that a question does not have to be brilliant to change your life.
It just has to be asked.
The world celebrates people for finding extraordinary answers.
I want children to understand something that took me much longer to learn:
Every extraordinary answer was once a question someone was brave enough not to put in a jar.