I am inspired by the absurd storytelling capabilities of the artists around me, and I am motivated by the idea of being an artist that inspires. I want my art to bring different types of animated storytelling to Western audiences and eliminate the stigma that all animated movies are “for children.” Digital art should be viewed as a medium full of potential instead of a silly genre that adults avoid.
I grew up watching my father’s favorite cartoon, the classic “Tom and Jerry” shorts. The simple idea of a cat-and-mouse rivalry captivated my young mind, making me question the world around me. It would be impossible for a mouse to realistically chainsaw a cat in half, yet the concept made complete sense in the animated world.
I began watching more cartoons with diverse styles and movements; the medium fascinated me, so I began researching. The work that went into crafting a simple moving picture blew my mind. A team of different types of artists, each with a different background, all working together for months just to create a single beautiful episode. Animation makes fictional stories a reality, and it gives humanity to characters that can never exist.
I slowly fell in love with animation as a medium for entertainment, because I realized truly anything can happen in animation; there are no real-world constraints. One artist that specializes in this duality of reality and fantasy is the legendary animation director, Satoshi Kon.
I first stumbled upon his work through the 1997 thriller, “Perfect Blue.” The animated story follows a young woman pursuing a career in acting, but the past idol version of herself is haunting her. The story may sound simple, but the movie is entirely told through the perspective of an unreliable narrator. Mima, the main character, slowly becomes unable to differentiate between her life on camera and her private life. The audience is taken on a mental roller coaster ride as they are forced to see the world through Mima’s eyes, but they are all captivated nonetheless.
Many of Satoshi Kon’s works featured this element of abstract duality, but Satoshi Kon was not limited to the different styles of movies he could produce. He could go from the horror thriller, “Perfect Blue,” to the wholesome comedy,” Tokyo Godfathers.” Even if the movies were vastly different from one another, one could always tell if Satoshi Kon was the mind behind the project. It is all grounded in reality, but how a character sees the world completely changes the reality of their situation. At some points, reality doesn’t matter at all, the only thing that ends up being significant is what the characters have taken away from their odd experiences.
I want to continue this tradition of unnatural storytelling by creating my own animated series or webcomic focused on the lives of the last remaining humans on Earth. In my story, fabricated gods judge the monopoly humans have created on their home planet against all other species. When judged, these all-powerful deities decide to spare the lives of five to ten humans by protecting and isolating them from a supernatural, nuclear fallout. Millions of years after the end of humanity, those few that were saved would rematerialize without memory into a world that is now inhabited by various animals and creature societies with human intelligence. The story would follow the humans as they begin to find their place in a world that has no idea what they are.
The characters will each have different designs, backgrounds, and personalities despite their amnesiac backstories so realistically different perspectives appear more natural. How they view the world around them will change how the audience will see my art. For example, if a character’s mental health slowly starts to slip then I will ensure the environment around them begins to decay. If a character is blatantly ignoring the hardships around them then their environment will feature a false sense of security despite how dangerous it clearly is.
I want to showcase the best and worst parts of humanity by making something eye-catching and impossible to ignore. I want to be an artist and a leader like Satoshi Kon. He is known as one of the best animation directors of all time despite having only worked on a few projects before his premature death. He was beloved by the people he worked with, and many saw him as both humble and kind. He is a role model to me, someone who I can only hope to live up to.
I will begin attending West Texas A&M University in the upcoming fall as a graphic design major. I will live on campus and have six classes for my first semester. I plan to find a part-time job and open up art commissions to help pay off my large, upcoming student debt. While at university, I plan to build an online audience for my art and create professional portfolios for future job applications. It will be incredibly hard work. But if I can create something that revolutionizes animation to its fullest capabilities, then I believe it will all be more than worth it.