
Hobbies and interests
Music
Theology and Religious Studies
Reading
Music
Philosophy
Psychology
Religion
I read books daily
Japheth Solares
1x
Finalist
Japheth Solares
1x
FinalistBio
Japheth Solares is drummer from Tri-Cities Washington who simply loves Jazz. His story begins on a simple miscommunication between a student and a teacher - that’s where Japheth’s life drastically changed and led him down through a path of joy, discipline, resilience, and excellence. Japheth’s musical identity is laid and rooted in faith, family, friendships, and a calling. Japheth’s musicianship is a service in itself; it is an offering.
One of Japheth’s best traits is his courage and humility in connecting and sharing the stage with other musicians, including some of the most respected jazz musicians of today such as Alan Baylock and the One O'Clock Lab Band, Terell Stafford, Caity Gyorgy, the New York Voices, Benny Benack III, Michael Dease, and Ulysses Owens Jr. He reaches out not for recognition, but with a genuine desire to learn and grow.
Japheth’s approach to jazz is to treat it as a form of human expression, centered on improvisation, human connection, and freedom - embodying the audible representation of African-American suffering and unfair treatment, but also as a living tradition, built on listening, imitation, mentorship, and the passing down of knowledge from one generation to another.
Education
Columbia Basin College
Associate's degree programMajors:
- Music
Miscellaneous
Desired degree level:
Bachelor's degree program
Graduate schools of interest:
Transfer schools of interest:
Majors of interest:
- Music
- Visual and Performing Arts, General
- Visual and Performing Arts, Other
- Education, Other
Career
Dream career field:
Music
Dream career goals:
Accountant , Bookkeeper, & Finance Manager,
Yireh Construction2019 – Present7 years
Sports
Track & Field
Varsity2022 – 20253 years
Research
Religious Music and Worship
CLUE — Leader2024 – 2025
Arts
Pasco School District #1
Music2025 – 2026
Public services
Volunteering
CLUE — Lead2024 – Present
Arthur and Elana Panos Scholarship
I have never known a life without church. From the time I was small, faith was not a choice I made — it was the water I grew up in. Sunday mornings, worship music, the particular quiet of prayer before something hard. My family brought it from Mexico the same way they brought everything else: not as a possession, but as a foundation.
I did not fully understand what that foundation was holding until the ground beneath me started to shift.
In my early teenage years, I was drifting. I was hanging around the wrong people, getting pulled into things I knew were wrong, moving toward a version of myself I did not want to become. There was no single dramatic moment that turned me around. It was quieter than that — a gradual conviction, the kind that only comes from having grown up knowing the difference between right and wrong and finally deciding it mattered. Faith was never loud in that season. It was just present, the way it had always been, waiting for me to come back to it.
My father's life has always been the clearest sermon I have ever witnessed. He immigrated from Mexico with nothing, built a construction business in a country whose language he barely speaks, and sacrificed daily without complaint or credit. He never preached to me about faith. He demonstrated it — in his work ethic, in his quiet dignity, in the way he kept going when nothing was easy. Watching him taught me that integrity is not something you perform. It is something you live when no one is watching.
Music became the place where all of it converged. When I first sat down at a piano I had never truly played and was asked to perform a Count Basie ballad in front of a full auditorium, I froze. I walked offstage in silence. That night I made a promise to myself — one that felt, in the way that certain moments do, like it was made in the presence of something larger than me. I went home and worked until the music lived in my hands. I showed up every day after that.
That is what faith taught me to do: show up. Not because success is guaranteed, but because the gifts you are given are not yours to waste. I believe I was given music for a reason. I believe I was placed in front of struggling students at my own middle school for a reason. I believe every mentor who chose to invest in me was not coincidence.
In my career, I intend to serve the way I was taught in church — not for recognition, but because service is the point. I want to use my gifts for something greater than my own success. The students I teach, the community I build, the spaces I hold open — that is my offering.
I did not choose the faith I was raised in. But I have chosen, every day, to live inside it.