
Hobbies and interests
Dance
Foreign Languages
Advocacy And Activism
Baking
Biomedical Sciences
Crocheting
Global Health
Model UN
Reading
Fantasy
I read books multiple times per week
Fatou Fame
1x
Finalist
Fatou Fame
1x
FinalistBio
Fatou Fame is a passionate aspiring physician from Dakar, Senegal with a strong commitment to improving healthcare access in underprivileged communities. She has created CareConnect, a platform designed to connect underserved populations with essential medical resources, and volunteers regularly at local hospitals, gaining hands-on experience and insight into patient care. Fatou is deeply motivated by family, community, and the belief that meaningful impact is measured by the lives touched and the change inspired.
Education
Hamilton Southeastern High School
High SchoolMiscellaneous
Desired degree level:
Bachelor's degree program
Majors of interest:
- Biological and Biomedical Sciences, Other
- Biochemistry, Biophysics and Molecular Biology
- Human Biology
Test scores:
34
ACT
Career
Dream career field:
Medicine
Dream career goals:
Intern
Community North Hospital2024 – 20251 year
Sports
Basketball
Varsity2020 – Present6 years
Research
Public Health
Regensstrief Institute — Researcher2025 – Present
Arts
N/A
Dance2020 – Present
Public services
Volunteering
Witkoppen Clinic — Volunteer/Web Developer2023 – Present
Future Interests
Advocacy
Volunteering
Philanthropy
Entrepreneurship
Olivia Rodrigo Fan Scholarship
The lyric from Olivia Rodrigo’s GUTS, “There’s always something in the mirror that I think looks wrong,” resonates deeply with my own teenage experience. Growing up in predominantly white communities, I was acutely aware of how different I looked compared to my peers around me. Every reflection felt like a reminder that I didn’t fully fit the unspoken standard of beauty or belonging that surrounded me. Rodrigo’s words capture that internalized self-scrutiny that comes with adolescence, where identity, confidence, and social acceptance collide in a whirlwind of self-doubt.
Adolescence is a time when every glance in a mirror feels loaded with judgment- both from others and from oneself. For me, this meant comparing my hair, my skin tone, and even my cultural expressions to what I saw normalized in the media and in school. Rodrigo’s lyric distills that universal teenage insecurity, but it also carries the specificity of feeling “wrong” in a space where difference is hyper-visible. It is not just about typical teenage self-consciousness; it is about navigating adolescence as someone who feels perpetually “othered,” who notices the gap between their reflection and the reflected ideals of their environment.
This lyric also embodies the tension between self-awareness and self-rejection that defines much of the teenage experience. While adolescence is often romanticized as a period of discovery and self-expression, it can also feel like a minefield of judgment, comparison, and pressure to conform. Like Rodrigo, I learned to become hyper-aware of my appearance and mannerisms, internalizing critiques - both overt and subtle - from peers and society. The mirror becomes more than a tool for seeing oneself; it becomes a lens for questioning belonging, worth, and identity.
Yet, Rodrigo’s music also carries a sense of shared vulnerability. The lyric is honest and unflinching, acknowledging imperfection without apology. In that way, it captures not just the challenges of adolescence, but also its quiet resilience: the struggle to exist authentically while constantly negotiating external expectations. Hearing those words validated my own experiences of self-doubt in environments where my difference was impossible to ignore. It reminded me that such insecurities are not a private flaw, but a shared part of growing up, especially for those navigating spaces where representation is scarce.
Ultimately, the lyric “There’s always something in the mirror that I think looks wrong” captures adolescence as a collision of identity, perception, and social pressures. For me, it reflects the duality of teenage life: the vulnerability of feeling exposed and the quiet courage of confronting that exposure. In a way, it is both a mirror and a window, showing the insecurities I faced while also offering insight into the universality of teenage struggles. Rodrigo’s words articulate the tension of wanting to be seen, to be accepted, and yet sometimes feeling that the very reflection staring back is somehow not enough.