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Corinne Santiago

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Finalist

Bio

I am an educator and artist with over 25 years of experience working in schools and nonprofit spaces, primarily serving underserved communities. My work has always centered on supporting young people and families navigating complex challenges, including inconsistent access to resources, housing instability, and systemic inequities in education. Alongside my professional work, I am a practicing visual artist whose work explores themes of the human experience—fragility, representation, and the emotional weight carried in the body. I believe art is a powerful tool for reflection, healing, and social awareness, and I bring that perspective into my work with students. As I pursue a master’s degree in art education, I am focused on deepening my practice and expanding access to meaningful, culturally responsive arts education. My goal is to create spaces where students feel seen, valued, and empowered to express their identities and experiences through art.

Education

Columbia University in the City of New York

Master's degree program
2026 - 2028
  • Majors:
    • Education, Other

CUNY Hunter College

Bachelor's degree program
2000 - 2004
  • Majors:
    • Visual and Performing Arts, Other
    • Education, Other

CUNY Kingsborough Community College

Associate's degree program
1998 - 2000
  • Majors:
    • Fine and Studio Arts

Miscellaneous

  • Desired degree level:

    Doctoral degree program (PhD, MD, JD, etc.)

  • Graduate schools of interest:

    • Teachers College at Columbia University
  • Transfer schools of interest:

  • Majors of interest:

  • Not planning to go to medical school
  • Career

    • Dream career field:

      • Education
    • Dream career goals:

      Principal

    • TEacher

      Department Of Education
      2016 – 20237 years
    • Arts Education Manager

      St Nicks Alliance
      2023 – Present3 years

    Arts

    • Supermud Pottery

      Ceramics
      2005 – 2007

    Public services

    • Public Service (Politics)

      St Nicks Alliance — Arts Education Manager
      2023 – Present
    • Public Service (Politics)

      Girls Incorporated of NYC — Facilitation and Leadership
      2009 – 2021
    Future Nonprofit Leaders Award
    My decision to pursue a career in the nonprofit sector is rooted in both lived experience and over two decades of working directly within communities impacted by systemic inequities. Throughout my life, I have witnessed how systems designed to support individuals can also limit access and opportunity. These early observations, combined with my professional experiences as an educator and artist, have shaped my commitment to nonprofit work as a means of creating more equitable and empowering spaces. I was raised in Brooklyn in a family shaped by both creativity and hardship. My father’s life was deeply impacted by systemic barriers, including early removal from formal education and later involvement in programs that, while intended to support recovery, often restricted autonomy. Witnessing his experiences gave me an early understanding of how institutional structures can both help and harm. At the same time, my mother ensured that creativity remained a constant in our lives. Despite financial limitations, she exposed us to art, music, and literature, instilling in me a belief in the transformative power of creative expression. These dual influences—awareness of systemic inequity and access to artistic expression,shaped my path. Growing up, I also experienced racism and developed a heightened awareness of identity, safety, and representation. Art became a space where I could process these experiences and reclaim my voice. Over time, I came to understand that art is not only a form of personal expression but also a powerful tool for social engagement and community building. For over 25 years, I have worked in educational and nonprofit settings serving underserved communities. In these roles, I have seen firsthand the impact that supportive, community-centered organizations can have on individuals and families. My work has focused on creating environments where students feel seen, valued, and empowered to express themselves. Through trauma-informed and culturally responsive practices, I have supported young people in navigating challenges related to identity, representation, and access. My experience in gender equity programming further solidified my commitment to nonprofit work. In these spaces, I implemented curricula that addressed media literacy, identity, and systemic inequality, while fostering safe environments for self-expression and dialogue. This work reinforced my belief that nonprofit organizations play a critical role in addressing gaps that traditional systems often overlook, particularly for marginalized communities. I am drawn to the nonprofit sector because it allows for a level of responsiveness, empathy, and community engagement that is often difficult to achieve in more rigid institutional settings. Nonprofits have the capacity to meet individuals where they are, to adapt to the needs of the community, and to center voices that are frequently marginalized. This aligns deeply with my values and my approach to both education and art. As I pursue a master’s degree in art education, I aim to expand my impact within the nonprofit sector by developing inclusive, culturally responsive arts programming. My goal is to create spaces, whether in schools, community centers, or nonprofit organizations, where individuals can explore identity, process lived experiences, and build confidence through creative expression. I am particularly committed to increasing access to arts education in underserved communities, where such opportunities are often limited. Through my work, I hope to contribute to a broader culture of equity, representation, and empowerment. I believe that when individuals are given the tools to express themselves and the space to be seen and heard, it can lead to meaningful personal and collective transformation. Ultimately, my commitment to the nonprofit sector is grounded in a desire to create lasting impact, not only by addressing needs, but by fostering environments where individuals and communities can thrive, grow, and redefine their own narratives.
    Debra S. Jackson New Horizons Scholarship
    My journey toward higher education has been shaped by lived experience, not a linear path. As an artist and educator with over 25 years of experience, returning to graduate study is a continuation of my commitment to art, education, and advocacy. The experiences that have brought me here have deeply shaped my values, career goals, and dedication to community-centered work. I was raised in Brooklyn in a family shaped by both creativity and hardship. My father’s life was impacted by systemic inequities, including early removal from school and later struggles within systems meant to support recovery but that often limited agency. Witnessing this gave me an early awareness of how institutions can both support and constrain individuals. Though I did not yet have the language for it, I understood the emotional weight and lack of control these systems imposed. At the same time, my mother ensured that creativity remained central in our lives. Despite financial challenges, she surrounded us with art, music, and literature. Art became an anchor for me, a space for reflection, resilience, and self-expression. Growing up, I also experienced racism and became deeply aware of my body and safety. These experiences shaped my understanding of visibility, what it means to be seen, misrepresented, or overlooked. Art became the place where I could process these realities and reclaim my voice. During my undergraduate studies, I began to understand these experiences within broader social and cultural contexts. Through the study of feminism and art history, I came to see art as more than expression, it became a form of activism. I began to question dominant narratives and consider how representation shapes identity and opportunity. This perspective continues to guide both my artistic practice and my work as an educator. For over two decades, I have worked in schools and nonprofit organizations serving underserved communities. These experiences have reinforced my belief that education should be rooted in dialogue, critical thinking, and empowerment. Inspired by Paulo Freire’s philosophy, I create classrooms where students are active participants in their learning. I focus on building spaces where students feel safe to express themselves, question systems, and develop confidence in their voices. My work in gender equity education further deepened my commitment to community service. Through trauma-informed and culturally responsive practices, I have supported students in navigating identity, representation, and self-worth. I have created spaces where marginalized youth can feel seen and valued, reinforcing my belief that education is a powerful tool for social change. Pursuing a master’s degree in art education at this stage in my life is both intentional and necessary. While my experience has shaped my practice, I seek to deepen my knowledge and expand my impact. My goal is to create inclusive, culturally responsive arts programs that empower individuals to explore identity and lived experience through creative expression. I am committed to increasing access to arts education in underserved communities and continuing my work in arts leadership and advocacy. This scholarship will allow me to fully dedicate myself to my studies while continuing my work in the community. Financial support is critical at this stage, enabling me to focus on developing meaningful work that bridges art and education. My journey has shown me that access, representation, and support can transform lives. Through my education, I am committed to creating spaces where individuals feel seen, heard, and empowered—using art as a tool for connection, healing, and lasting impact.