“If there aren’t any wrong notes in jazz, why does it sound like that?” For the past few days, I've been asking myself that question constantly. The dissonance of the notes felt like a jackhammer in my brain. I wanted to stop, but there was a nagging feeling in the back of my mind. I knew in a couple of weeks I was going to be playing for more than just my dad, who was listening from the corner of my room. Half asleep, he made sure I knew that to him, being able to fall asleep to my playing, was the highest compliment he could give, but that wasn't enough for me. I felt my fingers burning as I plucked at the cold metal strings of my bass. Plucking, plucking, plucking until I felt like my fingertips were going to bleed. This was my last chance to really out in what would be my one chance to become a great musician.
The next days were a rush of studying, practicing, and mixed emotions. I knew the solo was improvisation, but I still tried to plan in my head the whole day. Math wasn't about algebra, but the 1-3-5 of F minor as the teacher's voice ran a circle through my head.
The doors of the auditorium that night felt like 100 pounds and walking in felt like I was swimming through jello. A tightness in my throat was stretched like a violin string. During the solo, I looked at the blank faces staring back at me as if my playing brought absolutely no emotions for them to feel. Not one “good job” or even a smile from anybody but the director, whose thumbs up felt unenthusiastic at best. While the notes flew from my fingers like a cascading waterfall, the dissonance of their clashing felt like water hitting the rocks at the bottom. Instead of flowing from one to the next, like leaves caught in the wind, they blocked and trampled over the others like a tornado of sounds.
For the next three years, I never wanted to solo. I imagined the pressure of 1000 eyes digging into the back of my head whenever I thought about trying to solo, so I would only practice them when nobody else was home, locked up in my room with the lights off, as I felt my fingers glide over the strings and imagined cheers of admiration from my invisible audience. The day it all changed, I walked into the jazz band and sat down in my seat, ready but not enthralled by what lay ahead. Looking back now, everything was different. Instead of eyes digging into the back of my head, my friends whooped and hollered as I raised my hand for the solo. The solo came and went as my fingers flew and sweat dripped while my friends yelled enthusiastically in support. I saw the director's face break out into a smile as my fingers fell into the groove I had practiced by myself for so long.
Of everything that had changed since that first concert, musical talent was the least crucial. My friend's support, my confidence boost, and my willingness to break free of the restraints I had made for myself were what defined that moment in my mind. The band program has given me so much, and, to this day, continues to shape the path I'm on, but maybe its biggest impact was how it allowed me to take that leap of faith and discover the truest version of myself.