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Aiym Samatova

925

Bold Points

1x

Finalist

Bio

In Kyrgyzstan, fashion became my way to link creativity with social impact. Through Fashion Revolution, I organized workshops and the “Who Made My Clothes” exhibition, opening conversations about sustainability and transparency. I launched “From Tradition to Innovation”, training 50+ teachers and inspiring 200+ entrepreneurs, while with Enactus I led an eco-project that cut waste by 40% and reached 400+ rural students. My collections — including a socially themed line at an Eco Fashion Show and an installation in Istanbul — reflect my belief that clothing can tell stories and spark change. I aim to create a hub of sustainable design and entrepreneurship in Central Asia, scaling projects that unite tradition with innovation.

Education

Drexel University

Bachelor's degree program
2025 - 2029
  • Majors:
    • Apparel and Textiles
    • Community/Environmental/Socially-Engaged Art
    • Business, Management, Marketing, and Related Support Services, Other
  • Minors:
    • Sustainability Studies
    • Visual and Performing Arts, General
    • Social Sciences, General

Miscellaneous

  • Desired degree level:

    Master's degree program

  • Graduate schools of interest:

  • Transfer schools of interest:

  • Majors of interest:

    • Environmental/Natural Resources Management and Policy
    • Business, Management, Marketing, and Related Support Services, Other
    • Marketing
    • Communication, Journalism, and Related Programs, Other
    • Apparel and Textiles
    • Sustainability Studies
  • Not planning to go to medical school
  • Career

    • Dream career field:

      Apparel & Fashion

    • Dream career goals:

      Fasion Product Managment , Founder of a sustainable fashion brand

    • Project Manager and Teacher (Owner)

      Enactus — E-Club & E-Cup Projects (My own project)
      2022 – 20242 years
    • Team Lead / CLO3D Designer

      The Dress Code/UDCLO (Digital Fashion Hackathon Project)
      2023 – Present2 years
    • Country Ambassador (Kyrgyzstan)

      Fashion Revolution
      2024 – Present1 year
    • Marketing and Sales Strategist Project Manager

      Toolor (International Functional Outerwear Brand)
      2022 – 20242 years

    Sports

    Alpine Skiing

    Intramural
    2013 – Present12 years

    Research

    • Environmental/Natural Resources Management and Policy

      Fashion Revolution — Research Lead / Country Ambassador (Kyrgyzstan)
      2023 – Present

    Arts

    • International Eco Fashion Event

      Design
      My oown sustainable fashion collection
      2024 – 2025
    • Independent Project & Local Fashion Show

      Design
      Installation Artist - "Gold vs Bread"
      2024 – 2024
    • International Exhibition at Bül Feshane Museum, Istanbul

      Visual Arts
      Installation Artist — “Gold vs Bread”
      2023 – 2024

    Public services

    • Public Service (Politics)

      Model United Nations Association of Kyrgyzstan — Delegate & Policy Drafting Participant
      2023 – 2024
    • Volunteering

      EMS Educational Exhibition — Event Volunteer & Coordinator Assistant
      2023 – 2023
    • Volunteering

      Enactus E-Club & E-Cup — Project Manager & Team Leader
      2023 – 2024
    • Volunteering

      CEO & Project Lead — “From Tradition to Innovation” — CEO & Training Organizer
      2024 – Present
    • Advocacy

      Fashion Revolution — Project Lead & Exhibition Curator
      2023 – 2024

    Future Interests

    Advocacy

    Politics

    Volunteering

    Philanthropy

    Entrepreneurship

    Ultrafabrics Inc. Scholarship Award
    2,700 liters. What comes to mind immediately? Wow — that’s enough water to sustain me for 900 days, take 30 baths, or even water entire fields. So many possibilities! But who would have thought that 2,700 liters of water would remind me of… a T-shirt. Yes, just a regular white T-shirt that almost everyone owns. That number was my wake-up call. It made me see clothes differently — not just as fabric and stitches, but as stories of resources, labor, and impact. This curiosity led me to join the Fashion Revolution campaign and its Who Made My Clothes movement. I organized awareness events, shared information online, and spoke to local communities about the hidden journey of garments — from fiber cultivation to final sale. I saw how little people knew about their clothes’ origins, and how powerful it was to connect them to the makers and the environmental cost behind each piece. During this time, I began reflecting on my own heritage. I grew up in the mountains of Kyrgyzstan, where my family kept large flocks of sheep. My grandmother bred fine sheep with high-quality wool, and every shearing season our yard filled with soft fibers. But alongside the valuable wool was always a pile of coarse, short fibers — “unusable” wool that no one wanted. We often burned it. Watching this felt wrong. For centuries, wool had been woven into our homes, clothes, and traditions. Now, part of that heritage was being discarded as waste. This became the starting point for Smart Wool — my project to transform low-grade wool into a high-performance, sustainable textile. Through a process I developed — enzymatic shrink-proofing, structural densification, eco-friendly PFC-free DWR coating, and blending with biopolyamide — I can preserve up to 58% of wool that would otherwise be thrown away. The result is a material that’s 30% warmer, 15% stronger, and 67% more abrasion-resistant than untreated wool, while remaining natural. Processing just 50 tons annually could save 30+ tons of CO₂ emissions and prevent wasting thousands of cubic meters of water used to produce new fibers. To bring Smart Wool into modern design workflows, I integrated CLO3D into my process. This tool lets me create lifelike prototypes, test how Smart Wool behaves in different designs, and cut physical samples by half — reducing waste, speeding production, and improving resource use. I have already created three digital prototypes from Smart Wool: Insulated jacket — showcasing water-repellent and windproof qualities. Classic coat — highlighting thermal insulation and premium look. Casual sweatshirt — demonstrating comfort and everyday wearability. For me, sustainability is about closing the loop — from raw fiber to final garment — and ensuring that no resource, tradition, or story is lost. By combining cultural heritage with technological innovation, I want to show that sustainable design can protect traditions, empower communities, and inspire global change. Smart Wool is my proof that what was once considered waste can become the fabric of the future.
    Aiym Samatova Student Profile | Bold.org