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Abigail Glassett

665

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Bio

Hello! My name is Abigail Glassett, and I am entering my second year at the University of Washington, where I am double majoring in Art History and Art, with a concentration in drawing and painting. I am deeply passionate about the arts and aspire to study abroad during my time at university to further broaden my perspective. I’ve had the opportunity to travel to the Netherlands, Belgium, France, and Italy on art history-focused trips, experiences that have profoundly deepened my interest in art and culture. In my own creative work, I primarily use oil paint and graphite, and I also explore photography both professionally and personally as a means of artistic expression. Lifelong learning is a core value of mine, and my education is something I take very seriously. It is my dream to continue my academic journey and eventually enter the field of education, where I hope to inspire and nurture a love for the arts in others.

Education

University of Washington-Seattle Campus

Bachelor's degree program
2024 - 2028
  • Majors:
    • Visual and Performing Arts, General
    • Visual and Performing Arts, Other

Miscellaneous

  • Desired degree level:

    Master's degree program

  • Graduate schools of interest:

  • Transfer schools of interest:

  • Majors of interest:

  • Not planning to go to medical school
  • Career

    • Dream career field:

      Arts

    • Dream career goals:

      Natalie Jude Women in the Arts Scholarship
      Throughout my artistic journey, my favorite creation, and the foundation for all that followed, is a photography project exploring the shared experience of girlhood. I focused on asking a question centered on how the shared experience of girlhood affects the way women perceive themselves and each other in today's culture and society. The perspective provided by growing up as a girl oftentimes leads to a deep connection, one that is built upon shared experiences and emotions that otherwise remain unspoken. Through photos featured in this project, I explored what it means to be a woman, focusing on these unspoken aspects of the female experience. Touching on topics of girlhood, female friendships, and a developing image of self, I encapsulated this experience through my work. As this inquiry was a broad topic, it provided room for development within my process. With each photoshoot, I worked with the subject, encouraging them to interpret and dissect the inquiry themselves. These discussions shaped the atmosphere of each shoot, creating a unique outcome each time. In turn, my own artistic style began to develop. I pushed beyond my comfort zone, experimenting with more dramatic compositions, heightened colors, and intimate close-ups that emphasized vulnerability and strength. I had never felt so connected to a project before; it has awakened a passion within me that has continued to drive my creative practice. It hasn’t left my mind since the very first stages of planning, and it has left its imprint on everything I have done since.
      Mad Grad Scholarship
      My passion for the visual arts comes from a belief that images can speak in ways words cannot. From the first time I picked up a camera, I felt the quiet power of freezing a moment in time, preserving something fleeting and making it last forever. Photography has become my way of understanding the world, of translating emotions that live between words into something tangible. I am driven by a deep desire to document the shared, unspoken experiences that connect women across backgrounds, ages, and cultures. Growing up as a girl, I noticed how a single glance, a subtle gesture, or a moment of stillness could carry volumes of meaning. I wanted to capture those moments before they slipped away, to honor the invisible threads that weave women’s lives together. In my ongoing body of work, I explore a central question: How does the shared experience of girlhood influence the way women perceive themselves and one another? Each project begins as a collaboration. I invite my subjects to interpret the question through their own personal lens, encouraging them to share stories and memories that shape their sense of self. These conversations don’t just inform the photographs; they create the emotional atmosphere in which the images are born. Over time, this approach has transformed my style: my compositions have grown bolder, my colors more heightened, my framing more intimate. I have learned to embrace both vulnerability and strength in the same image. As technology reshapes the arts, from AI-generated imagery to automated storytelling, my commitment is to preserve the soul of my work in lived human connection. I see these advancements not as threats to creativity, but as opportunities to broaden how stories are told and who gets to tell them. My vision is to combine traditional photography with multimedia forms, pairing portraits with recorded oral histories, immersive digital spaces, and interactive archives where audiences can not only see but also hear and feel the voices of the women portrayed. My lifelong project is to build a global anthology of women’s perspectives, a living, evolving record that spans cultures and decades, celebrating individuality, resilience, and humanity. Whether experienced in a gallery, through a printed collection, or in an immersive virtual exhibit, it will serve as a testament to the power of women’s stories. This is my WHY: to ensure these stories are not only told, but deeply felt, remembered, and valued for generations to come.
      Dave Cross Design Arts Scholarship
      Art and creating have always been at the heart of who I am. For most of my life, I poured myself into drawing and painting, chasing detail and precision with relentless focus. But over time, my perfectionism began to suffocate the joy I once felt. I beat myself up when things didn’t meet my own high standards, and my creativity shrank under the weight of my expectations. By the start of my senior year of high school, I felt burnt out, disconnected from the reason I fell in love with art in the first place. That changed when I took my second photography class, shortly after winning a camera in a statewide competition. For the first time in a long while, I felt free. Photography didn’t demand the same painstaking exactness I had forced on myself before. It gave me permission to play, to experiment, and to explore ideas without fear of ruining a canvas. I could move through light, color, and subject matter with curiosity rather than pressure, and in doing so, I unlocked a new way to express the creative energy that had been trapped inside me. With this new medium, I began to think larger. Projects that once seemed daunting now felt exciting. I’ve always been most drawn to art that tells a story, and photography allowed me to tell those stories in an intimate, collaborative way. Many of my shoots involve close friends, and I involve them in my planning process where we share ideas, inspirations, and personal experiences. In this way, the work becomes not just mine, but theirs too—a blend of our perspectives and emotions. Much of my work is rooted in the female experience: the shared struggles, joys, and quiet truths that shape our lives. I am fascinated by the small, almost invisible moments that carry deep meaning, as well as the bold emotions that refuse to be ignored. My goal is always the same: to create images that make people feel something real, something they can connect to, and perhaps something that makes them feel seen. Since discovering photography, my excitement for creating has only grown stronger, and with each project, I feel my vision expanding. Some of my favorite moments in the creative process come long after the photo is taken, during editing. This stage lets me shape mood and meaning, playing with colors, light, and composition to transform a simple image into a fully realized piece of art. Sometimes I cut and collage, bending reality to fit the vision in my mind. Digital design tools give me both control and freedom, the ability to refine a work while still leaving space for experimentation. Moving forward, I plan to deepen my technical skills in editing software to strengthen my own artistic style and expand the ways I can tell a story. Photography has taught me that perfection is not the goal; connection is. I want to use my work to invite viewers into a shared space of feeling and understanding, creating art that lingers in their minds and hearts long after they’ve seen it.
      WCEJ Thornton Foundation Music & Art Scholarship
      Art has always held the power to challenge perspectives and shape identity. For me, that power lies in the celebration and exploration of femininity. I am an 18-year-old female artist whose love for art is deeply rooted in a passion for art history. These twin passions have shaped my identity and fuel my belief that art can serve as a transformative tool. Through my work, which centers on women from a female perspective, I aim to promote representation, empathy, and historical awareness. My mission as an artist is to create pieces that explore women’s identities, emotions, and stories across cultures and time periods. Female representation in art plays a crucial role in shaping both individual and collective understanding. Historically, women have been viewed and depicted through the male gaze, often idealized, objectified, or erased entirely. Today, female artists are reclaiming their narratives, offering a more nuanced, authentic vision of womanhood: one in which we are seen as complex individuals with agency, desires, and multifaceted identities. In my own work, self-portraiture has become a powerful tool to assert my voice and perspective. By choosing how I represent myself, I subvert traditional male-centered depictions and reclaim power over the feminine image. I aim to create art that empowers women by expressing shared experiences, challenging limiting stereotypes, and celebrating female identity in all its forms. Beyond the canvas, I hope to foster a sense of community and solidarity among women through my art. My goal is to encourage connection and understanding, inviting viewers to see themselves, or others, reflected in ways that are honest, vulnerable, and strong. Female representation in art is not simply about depicting women, it’s about shaping how women are seen and how we see ourselves. It’s a force for cultural change and a step toward a more inclusive, empathetic world. Through my artistic practice and my continued study of art history, I am committed to using creativity as a platform for visibility and voice. I believe that by telling our stories, truthfully, powerfully, and unapologetically, we not only claim space for ourselves but also inspire others to do the same.
      Abigail Glassett Student Profile | Bold.org